Long before Andy joined up,
the Deviants were one of the leading “
underground rock” bands; their
1967 album
Ptooff! is a classic in that little known genre. The band sprang up in the
British psychedelic melange that spawned
Pink Floyd,
Tomorrow, Hawkwind and several other like-minded bands; the epicenter for the scene was the
UFO Club (pronounced “oo-foe” in an interview of
Farren at the club that is on one of their CD’s).
The Deviants’ music is a dense stew of
proto-punk,
psychedelia and
blues rock, with percussion and voice loops and screaming and a host of other effects. The album cover on
Ptooff! is also a treat, with a water-color science-fiction scene and a remarkable collection of quotes, including a corruption of a quote by
Ralph Waldo Emerson that appears on the back cover: “When the mode of the music changes, the walls of the city shake!!”
The Deviants were also strongly left-wing politically, and their songs feature unabashed screeds and sharp social commentary. Check out this candid declaration that introduced their third album,
The Deviants #3: “We are the people who creep in the night / We are the people who hide from the light / We are the people who pervert your children / Lead them astray from the lessons you taught them / We are endangering civilization / We are beyond rehabilitation.”
Mick Farren is still recording albums regularly and has become a respected rock critic, journalist, and science fiction novelist. I used to read an occasional piece that he wrote for the
Village Voice both before and after I lived in
New York; one mused on why the
English had such bad dental hygiene and featured a photo quiz asking the reader to match photos of rotten teeth with celebrities’ names (including one member of the royal family). The acclaimed retrospective of the world of
Greg Shaw called
Bomp! / Saving the World One Record at a Time lists him as the co-author with
Suzy Shaw, Greg’s business partner and ex-wife.
Andy Colquhoun and
Mick Farren first got together in
1977 when
Andy asked
Mick to help out with lyrics for some of the songs on the album he was making with the
punk band Warsaw Pakt.
Andy had previously been in an
R&B band called
the Rockets and started the band with two members of that band,
John Manly and
Jimmie Coull.
You might remember the direct-to-disc recording technique that was briefly popular among audiophiles toward the putative end of the vinyl era in the
late 1970’s; the recorded music from the studio is transferred directly to a master disk without intervening taping and overdubbing and such.
Warsaw Pakt has the distinction of performing on the first such transfer among rock recordings and even got an entry in the
Guinness Book of World Records for their trouble. Of course, this was also the standard means of recording music after
Thomas Edison invented the phonograph, well into the
1950’s.
In
1996,
Andy Colquhoun and
Mick Farren hooked up again for a
Deviants reunion album,
Eating Jello with a Heated Fork (the cover photo shows a human brain next to a glowing silver fork). That was the first
Deviants album I had purchased since the original three came out 25 years previously or longer – and was it a sound for sore ears! I just about played that CD to death, and I have picked up close to a dozen more albums by
Mick and the guys since then, in a variety of bands and permutations.
As
Andy Colquhoun said in the original promotional material for the CD, “I’ve put as much guitar on it as possible” – and did he ever. The title song, “
Pick up the Phone, America” opens the album and features
Andy – in the guise of a “scumbag telemarketer”, as the opening lyrics on the album put it – sparring with a young lady that he is trying to interest in his spiel. Another light-hearted track called “
Creepy Beach” closes the CD, done in a
surf-rock style. I found out later that this is part of a whole series of “creepy” songs that culminated in “
Creepy Christmas”.
Andy Colquhoun had also contributed a song – appropriately called “
Lennon Song” – for a
John Lennon tribute album several years earlier, and this song is also included. Many critics consider it the best song on the album, but it has a lot of company.
In fact,
Andy Colquhoun’s second solo album,
String Theory, consists entirely of instrumental tracks that
Andy wrote; it came out last year, but I haven’t gotten it yet.
Andy notes that at the same time, he also recorded “blistering versions of ‘
River Deep, Mountain High’, ‘
Tomorrow Never Knows’, ‘
Tin Soldier’ and ‘
Black Hole Sun’”; and I am salivating at the thought of being able to one day hear
Andy’s versions of those wonderful songs.
Andy Colquhoun’s surname has among the most unusual spellings that I have ever seen; actually though, “
Colquhoun” is simply an alternate spelling of “
Calhoun”. When
Mick Farren introduced him once at a live concert, he pronounced the name “
Ca-hoon”.
There have been so many great guitarists that I have enjoyed hearing over the years, for many different reasons: The old-fashioned blasts of
Chuck Berry and
Keith Richards, the unexpected dexterity and ear of Bob Dylan and Glen Campbell, the pounding virtuosity of Jimi Hendrix and Duane Allman, the nearly unsung anonymity of Tommy Tedesco and Jerry Cole, the steady precision of George Harrison and Tom Petty, the sheer power of Jimmy Page and Tony Iommi, the blues-based thunder of Jack White and Eddie Van Halen, lesser known greats like Nikki Sudden and Chris Spedding (of the latter,
Pete Townshend – no slouch himself – is quoted as saying, “I wish I could write songs the way
Chris Spedding plays guitar”), and so many more.
To my mind though,
Andy Colquhoun is in a class apart; his guitar work, particularly on
Pick up the Phone, America!, is absolutely thrilling to me. The only guitarist I can think of who comes close to embodying the joy and exuberance that
Andy exudes throughout this album is
Ted Nugent, back in his early days with
Amboy Dukes.
I am not the only one who feels this way either; as
Ken Shimamoto expressed in an online review of the CD (I sure wish I knew enough about music to write like this): “Nobody on Earth plays guitar like
Andy Colquhoun. Well, maybe
Wayne Kramer [of
Detroit’s
MC5 and another running mate of
Mick Farren’s for several decades now] and
Tony Fate (ex-
Bellrays, current
Streetwalkin’ Cheetahs) are in the same league, but
Andy’s brand of over-the-top rock skronk and
acid-blues is totally unique. As guitarists go, he’s got a deep trick bag: a huge sound, saturated with
fuzz and
Echoplex; a monstrous whammy bar attack that skews his snaky, vibrato-laden
blues lines and monolithic octaves; ringing harmonics; a deft touch accompanied by a fine melodic sensibility . . . almost a bent-head
Jeff Beck (always a name to conjure with in the gtr circles I run in).”
What more can I say? Dig up some of these luscious tracks and enjoy!
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* * *
Flashback: The Under Appreciated Rock Band of the Month for August 2011 – ANDY COLQUHOUN
I have already noted my sorrow about the recent passing of Andy Colquhoun’s bandmate in the Deviants, Mick Farren. I couldn’t find anything in YouTube that is taken from Andy’s solo CD’s, so here are some killer Deviants cuts for you: “Lost Johnny”, audio only (from the gloriously good 1996 album Fragments of Broken Probes) – www.youtube.com/watch?v=cpDOvLk7dtc ; “Police Car”, from a live 1984 performance, though it is still audio only –www.youtube.com/watch?v=LWqt9boKKVo ; and a live track, “The Fury of the Mob” from a 2013 concert on the summer solstice (that’s Andy Colquhoun on the right) – www.youtube.com/watch?v=3kW2Q-4ymcc . There are plenty of live Deviants songs on YouTube, but they are typically amateur videos having questionable sound quality.
(August 2013)
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PICTURE GALLERY: The Under-Appreciated Rock Artist of the Month for August 2011 – ANDY COLQUHOUN
Actually I recently loaded up this UARA, Andy Colquhoun on my website, , so I have plenty of photos. Here is the album that I have, Pick up the Phone, America!:
Here is his second album, String Theory that I do not yet own:
This is a photo from the inside sleeve of my CD, showing Andy:
This is the Deviants reunion CD, Eating Jello with a Heated Fork, where Andy collaborated with the late, great Mick Farren:
(August 2014)
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Here is a rundown of the 2010-2011 Under-Appreciated Rock Bands/Artists of the Month for the past year:
January 2011 – HACIENDA, active 2010’s Chicano rock band (two albums)
February 2011 – THE WANDERERS, 1980’s apocalyptic punk rock band (one album)
March 2011 – INDEX, legendary 1960’s psychedelic rock band (two albums)
April 2011 – BOHEMIAN VENDETTA, 1960’s garage rock band (one album plus compilation album)
June 2011 – THE UNKNOWNS, 1970’s first-wave punk rock band (two albums plus compilation album)
August 2011 – ANDY COLQUHOUN, active 1980’s-2010’s psychedelic rock guitarist (two albums)
September 2011 – ULTRA, 1970’s old-fashioned hard rock band (compilation albums)
October 2011 – JIM SULLIVAN, 1960’s country-rock singer-songwriter (two albums)
November 2011 – THE UGLY, 1970’s first-wave Canadian punk rock band (compilation album)
(Year 2 Review)