Jimmy Page

Greatly Appreciated

JIMMY PAGE

 
Jimmy Page  (born 9 January 1944) is an English musician, songwriter, multi-instrumentalist, and record producer who achieved international success as the guitarist and leader of the rock band Led Zeppelin.  Page began his career as a studio session musician in London; and, by the mid-1960s, he had become the most sought-after session guitarist in England.  He was a member of the Yardbirds from 1966 to 1968.  Page is widely considered to be one of the greatest and most influential guitarists of all time.  Rolling Stone magazine has described Page as “the pontiff of power riffing” and ranked him number 3 in their list of the “100 Greatest Guitarists of All Time”.  (More from Wikipedia)
 
 
There have been so many great guitarists that I have enjoyed hearing over the years, for many different reasons:  The old-fashioned blasts of Chuck Berry and Keith Richardsthe unexpected dexterity and ear of Bob Dylan and Glen Campbell, the pounding virtuosity of Jimi Hendrix and Duane Allman, the nearly unsung anonymity of Tommy Tedesco and Jerry Cole, the steady precision of George Harrison and Tom Petty, the sheer power of Jimmy Page and Tony Iommi, the blues-based thunder of Jack White and Eddie Van Halen, lesser known greats like Nikki Sudden and Chris Spedding, and so many more.
 
(August 2011)
 
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The 2008 documentary, It Might Get Loud shows rock guitarist legends from three generations discussing their music and their careers and their influences:  Jimmy Page (the Yardbirds, Led Zeppelin), The Edge (U2), and Jack White (the White Stripes, the Raconteurs).  Needless to say, they all three made the Rolling Stone list of 100 Greatest Guitarists also:  #3, #38 and #70, respectively. 

 

At one point, Jimmy Page starts flipping through a pile of 45’s and pulls out Rumble” by Link Wray and His Ray Men.  To see a rock legend grooving along with that song, to see that big beaming smile on his face, to hear him discussing how the song developed, to see Page actually doing “air guitar” to Rumble:  that really is something special.  The clip from It Might Get Loud is well worth a viewing:  www.youtube.com/watch?v=RLEUSn8y9TI . 

 

(February 2013)

 
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The Yardbirds was one of my very favorite British Invasion bands.  Casual rock music fans might know the band as successively including within its ranks three of the greatest rock guitarists of all time:  Eric ClaptonJeff Beck, and Jimmy Page.  That is, after Eric Clapton left the Yardbirds, he suggested Jimmy Page as his replacement; but Page was highly successful as a session guitarist in this period and instead recommended Jeff Beck, who played his first gig with the band just two days after Clapton left.  Jimmy Page later joined the Yardbirds after Jeff Beck moved on. 

 

(May 2014)

 

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Anyway, for their part, the members of Led Zeppelin say that the song doesn’t have a special meaning at all.  Jimmy Page was quoted in Wikipedia as saying of the song:  “The wonderful thing about ‘Stairway [to Heaven] is the fact that just about everybody has got their own individual interpretation to it, and actually what it meant to them at their point of life.  And that’s what’s so great about it.  Over the passage of years people come to me with all manner of stories about what it meant to them at certain points of their lives.  About how it’s got them through some really tragic circumstances. . . .  Because it’s an extremely positive song, it’s such a positive energy, and, you know, people have got married to [the song].”  

 

(November 2014)

 

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Mike Stax’s return to San Diego in May 1982 triggered the exit of the original Crawdaddys bassist Mark Zadarnowski.  This time, Stax came to town with an agenda; Stax is quoted by Ray Brandes:  “I returned with lots of tapes of obscure ’60s beat, R&B and garage stuff, and we began to learn a lot of new covers, stuff like ‘Chicago’ by the Phantom Brothers, ‘She Just Satisfies’ by Jimmy Page [which I had figured inspired the band’s original I’m Dissatisfied], the Boots’ version of ‘Jump Back [Baby]’ and the Sorrows ‘You Got What I Want’.  The rest of the band was finally open to doing stuff like this, which I’d been advocating all along, rather than being a purist R&B/blues band who only did songs by the original black artists.”  

 

Another outstanding song on the Crawdaddys CD Here ’Tis is “Ruler of My Heart”, with the songwriting credited to Naomi Neville (the mother of Allen Toussaint; he often uses her name in his writing credits) and made famous by Irma Thomas.  Then there is the Jimmy Page song mentioned earlier, “She Just Satisfies”. 

 

(January 2015/2)

 

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Wikipedia states:  “The band [Eleven] cites their major influences as Jimmy Page and Led ZeppelinQueenThe Beatles, Johann Sebastian Bach, and Sergei Prokofiev.  With Chris Cornell [of Soundgarden and Audioslave], they recorded [Natasha] Shneider’s arrangement of Franz Schubert’s ‘Ave Maria’, which appears on the album, A Very Special Christmas 3 [1997], in the liner notes of which they state they deliberately chose a classical work to help interest young people in classical music.” 

 

(April 2015/1)

 

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Like the band’s first record, the Primitives second single for Pye RecordsYou Said” b/w “How Do You Feel” did not chart at all in the U.K.  About the flip side, Bruce Eder notes:  “[A] bluesy cut with a nice, choppy rhythm part, similar to what the Yardbirds did with ‘Here ’Tis’ or Good Morning Little School Girl on-stage, only with better singing.”

 

Years later, word got out that, on both of the songs on this 45, the band’s lead guitarist Geoff Eaton was replaced with future Led Zeppelin star Jimmy Page, who was a prolific session guitarist in the early part of his career.  As reported on popsike.com, the single has sold on eBay several times recently – for the equivalent of nearly $600 in one case – but oddly, this fact is not mentioned on any of the several items that I looked up on the website about this single. 

 

You Said is included in the four-CD box set, Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969. 

 

(May 2015)

 

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Barely one year later, in October 1968Joe Cocker released a cover of “With a Little Help from My Friends” – a Number One single in the UK – which gets my vote as the most satisfying Beatles cover of all time.  His version of the song is very different from how the Beatles performed it, and that is what covers should be as far as I am concerned.  Joe Cocker is backed by a stellar band that includes Jimmy Page on guitar (the first Led Zeppelin album came out in the following year), B. J. Wilson of Procol Harum on drums, Chris Stainton on bass, and distinctive organ by Tommy Eyre.  Cocker’s frantic performance of the song was a highlight of the Woodstock film of the original Woodstock Music & Art Fair gathering in 1969
 
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Many people don’t realize that Led Zeppelin is a successor band to the Yardbirds.  After Keith Relf and Jim McCarty left the Yardbirds in mid-1968, lead guitarist Jimmy Page was about the only bandmember left.  He set about finding new musicians for his next band that was sometimes called the New Yardbirds.  When the four bandmembers in Led Zeppelin started played together, the first song they did was “Train Kept A-Rollin’”.  Jimmy Page recalls of that session (as quoted in Wikipedia):  “We did ‘Train’ . . .  It was there immediately.  It was so powerful that I don’t remember what we played after that.  For me it was just like, ‘Crikey!’  I mean, I’d had moments of elation with groups before, but nothing as intense as that.  It was like a thunderbolt, a lightning flash – boosh!  Everyone sort of went ‘Wow’.” 
 
Steven Tyler was in a band that opened for the Yardbirds in 1966 and says of their performance (again from Wikipedia):  “I had seen the Yardbirds play somewhere the previous summer with both Jeff Beck and Jimmy Page in the band. . . .  In Westport [at their supporting gig on October 22, 1966] we found out that Jeff had left the band and Jimmy was playing lead guitar by himself.  I watched him from the edge of the stage, and all I can say is that he knocked my tits off.  They did ‘Train Kept A-Rollin’ and it was just so heavy.  They were just an un-f--kin’-believable band.” 
 
(June 2015)
 
Last edited: April 7, 2021