Nuggets: Original Artyfacts from the First Psychedelic Era is a groundbreaking compilation album of American garage rock singles released in the mid-to-late 1960’s. It was assembled by Jac Holzman, founder of Elektra Records, and Lenny Kaye, later lead guitarist for the Patti Smith Group. In 1998, Rhino brought the original LP to CD, reproducing the original song sequence and liner notes. However, rather than releasing a single-disc release of the original LP, Rhino put the original disc in a box set with three other discs, an extra 91 songs in total that were not on the original. (More from Wikipedia)
Yet another song on Buffy Sainte-Marie’s album It’s My Way!, “Cod’ine” – adapted from codeine, a compound often found in cough syrup, but pronounced “co-dyne” – is one of the first songs to deal with the dangers of drug use.
On the box set Nuggets: Original Artyfacts from the First Psychedelic Era is another version of “Cod’ine” by a psychedelic rock band called the Charlatans; they are considered by many critics to be one of the earliest bands to play in what was later called the San Francisco Sound. Formed in the summer of 1964, the band auditioned for Autumn Records in September 1965 and was later signed by Kama Sutra Records in early 1966. The Charlatans wanted to release “Cod’ine” as their first single, but Kama Sutra officials vetoed the idea because of its drug connotations, even though the song did not at all promote drug use. The Charlatans’ version of “Cod’ine” was later used in the soundtrack of the 1999 Hilary Swank film, Boys Don’t Cry.
The Charlatans’ second drummer was Dan Hicks, who later formed the band Dan Hicks and His Hot Licks. In the late 1970’s, Charlatans founding member Mike Wilhelm joined the Flamin’ Groovies as their lead guitarist for 6 years.
(August 2013)
Anyway, the music is the hard part when doing psychedelic rock; for many would-be psychedelic rock bands, just about any lyrics will do, and the stranger the better. I was planning to come up with some examples of those lyrics, but they were a little scarce on the Internet. However, this excerpt from the Allmusic review by Todd Kristel of the Pebbles, Volume 3 LP actually does a better job of describing the songs than the lyrics themselves would:
“This compilation features Higher Elevation’s ‘The Diamond Mine’, a showcase for the nonsense rambling of disc jockey Dave Diamond; Teddy & the Patches’ ‘Suzy Creamcheese’, which manages to rip off both Frank Zappa and ‘Louie Louie’; Crystal Chandlier’s ‘Suicidal Flowers’, which sounds like the Doors drenched in fuzz guitar; William Penn Fyve’s ‘Swami’, which is such a self-conscious attempt to evoke 1967 that it’s hard to believe it was actually released that year; Jefferson Handkerchief’s ‘I’m Allergic to Flowers’, which was presumably intended as a novelty song; Calico Wall’s ‘Flight Reaction’, a fascinating acid-damaged glimpse into the mind of a passenger who’s sitting in an airplane before takeoff and worrying about a possible crash; the Hogs’ (allegedly the Chocolate Watchband under a different name) ‘Loose Lip Sync Ship’, which consists of an instrumental passage that mutates into Zappa-influenced weirdness; the Driving Stupid’s ‘The Reality of (Air) Fried Borsk’ and ‘Horror Asparagus Stories’, which feature precisely the kind of grounded lyrics that you’d expect; the Third Bardo’s ‘Five Years Ahead of My Time’, a genuinely good number even though it doesn’t sound five minutes ahead of its time; [and] the Bees’ ‘Voices Green and Purple’, which made the Nuggets Box Set along with the Third Bardo song . . . ”
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Two CD’s featuring the Human Expression and also solo recordings by Jim Quarles have been released by Cicadelic Records, Love at Psychedelic Velocity (1994) and The Human Expression & Other Psychedelic Groups (2000). The first CD is named after their best known song, “Love at Psychedelic Velocity” (actually more of a garage rock song that has remarkable changes in tempo), which is included on the Pebbles, Volume 10 LP and also the first Nuggets Box Set. “Optical Sound” – whose title likely refers to synesthesia, when the human senses are sometimes scrambled during an LSD trip – actually appears on more than twice as many compilation albums.
(July 2015)
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