THE STOOGES – Later Years
Iggy Pop began working with the Stooges again on his 2003 album, Skull Ring that also featured several younger artists: Green Day, the Trolls, Sum 41, and Peaches. The Stooges toured extensively between 2003 and 2008 with founding members Iggy Pop (vocals), Ron Asheton (guitar), and Scott Asheton (drums), along with (at Ron Asheton’s suggestion) new bandmember Mike Watt (bass guitar), formerly of Minutemen and fIREHOSE, and guest musician Steve Mackay (saxophone), who had performed on the Fun House album. During these tours, the Stooges released an album of all new material, The Weirdness (2007). Also, Elektra Records reissued the band’s first two albums, The Stooges and Fun House in deluxe 2-CD packages in 2005.
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After Ron Asheton was found dead in January 2009 of an apparent heart attack, James Williamson was brought back into the line-up, and the Stooges continued to perform concerts around the world until June 2016, when James Williamson announced: “The Stooges is over. Basically, everybody’s dead except Iggy [Pop] and I. So it would be sort-of ludicrous to try and tour as Iggy and the Stooges when there’s only one Stooge in the band and then you have side guys. That doesn’t make any sense to me.” One last album was released by the Stooges in 2013, Ready to Die that was better received by the critics than The Weirdness.
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Against the odds, Iggy Pop turns 70 next month, and his music is as vital as ever. His most recent album, Post Pop Depression (2016), ranks 4 stars from Allmusic; Mark Deming writes: “When it was announced that Iggy Pop would be collaborating with Josh Homme of Queens of the Stone Age, the music press buzzed with anticipation about the project. What would the proto-punk icon and the snarky hard rock smart guy come up with? The surprise answer is 2016’s Post Pop Depression, in many respects an unwitting but loving tribute to Pop’s friend and collaborator David Bowie. Post Pop Depression arrived two months after Bowie’s death, and was completed before his health problems became common knowledge. More than anything, though, this music evokes the sound and feel of Pop’s first two solo albums. 1977’s The Idiot and Lust for Life were cut with Bowie in Germany as Pop struggled to make sense of his life and career after the Stooges collapsed. With the reunited Stooges gone following the deaths of Ron [Asheton] and Scott Asheton, Post Pop Depression finds Pop returning to the work he made in 1977, in ways that count the most. Post Pop Depression is smart and thoughtful, intelligent without being pretentious, and full of bold but introspective thinking.”
(March 2017)
