Simon & Garfunkel was an American folk rock duo consisting of singer-songwriter Paul Simon and singer Art Garfunkel. They were one of the most popular recording artists of the 1960s and became counterculture icons of the decade’s social revolution. Their biggest hits—including “The Sound of Silence” (1964/1965), “Mrs. Robinson” (1968), “Bridge over Troubled Water” (1969), and “The Boxer” (1969)—reached number one on singles charts worldwide. Their final studio record, Bridge over Troubled Water, was their most successful, becoming one of the world’s best-selling albums. Since their split in 1970 they have reunited several times, most famously in 1981 for the “The Concert in Central Park”, which attracted more than 500,000 people, the seventh-largest concert attendance in history. (More from Wikipedia)
I was born a couple of years later than Greg Shaw, so I turned 14 in 1965. By then, the Beatles and the Rolling Stones were old news; and while I was still paying attention, what was really grabbing me at the time were American artists and bands. First and foremost was “Like a Rolling Stone” by Bob Dylan; that song – plus the flip side “Gates of Eden” that was nearly as long and every bit as good – captivated me in a way that I just couldn’t keep quiet about. Other great folk-rock sounds of that period included the release of the cover of Dylan’s “Mr. Tambourine Man” by the Byrds and the revamped “The Sounds of Silence” by Simon and Garfunkel. Bob Dylan himself preferred the Byrds’ cover to his own recording of “Mr. Tambourine Man”; but in my usual contrarian way, I preferred Dylan’s original – it was a lot longer for one thing.
These songs were followed closely by the glorious sounds of garage rock and psychedelic rock that were then in their infancy. Songs like “Pushin’ Too Hard” by the Seeds, “We Ain’t Got Nothin’ Yet” by Blues Magoos, and “I Had Too Much to Dream (Last Night)” by the Electric Prunes really made an impression on me. It wasn’t until I picked up the Nuggets collection and then the numerous Pebbles albums that I plumbed the depths of this scene, but it was by no means brand new to me either.
Major and minor artists alike often have spiritually themed songs or overtly Christian songs on their albums. The first cut on Simon and Garfunkel’s debut album, Wednesday Morning, 3 A.M. is a gospel song called “You Can Tell the World” that was written by Gibson & Camp (Bob Gibson and Bob Camp – later known as Hamilton Camp). Peter, Paul and Mary had numerous gospel songs on their albums, including “This Train” on their first album, Peter, Paul and Mary. Also on this album, under the name “If I Had My Way”, is a traditional song also called “Samson and Delilah” that is based on the Biblical account. Many other rock musicians have recorded this song, notably the Grateful Dead, Bob Dylan, Ike and Tina Turner, Bruce Springsteen, and Garbage front woman Shirley Manson.
“Benedictus” is the name for the second half of the Sanctus in the traditional Catholic Mass. Besides the Strawbs song “Benedictus”, Simon and Garfunkel included another song called “Benedictus” on their first album; its lyrics – “benedictus qui venit in nomine Domini” – are simply the Latin for “Blessed is he who comes in the name of the Lord”.
(July 2014)
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Wikipedia lists an almost completely different group of artists in that article (as opposed to those listed above who were backed by Glen Campbell in particular): “Notable artists employing the Wrecking Crew’s talents included Nancy Sinatra, Bobby Vee, the Partridge Family, the Mamas and the Papas, the Carpenters, the 5th Dimension, John Denver, the Beach Boys, Simon and Garfunkel, the Grass Roots, and Nat King Cole.”
(February 2015)
