RAW POWER
Raw Power is the third studio album by American rock band The Stooges (credited as “Iggy and the Stooges”). It was released on February 7, 1973, by Columbia Records. Though not initially commercially successful, Raw Power gained a cult following in the years following its release and, like its predecessor (1970’s Fun House), is generally considered an influential forerunner of punk rock. (More from Wikipedia)
Writing for the Detroit Metro Times website, Ben Blackwell writes of the Gimme Some Action CD: “The Ramrods are the name of Detroit frontline punk warriors. . . . Ramrods lead howler Mark J. Norton barks like a bored kid with an armload of bulldogs; while guitarist Peter James’s scarred-yet-smooth soloing informs us that [the Stooges album] Raw Power was safely tucked under his pillow. While the ’Rods studio output is brief, the highlight of the disc is easily their 1977 live medley: ‘Helter Skelter’ [by the Beatles] catapults into a punk-painted ‘My Generation’ [by the Who] and declares the obvious in ‘Search and Destroy’ [by the Stooges] and cements its place in rock lore by adding the archetypical ‘I’m a Ramrod’.”
(March 2016)
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Even more than the delightful portrayal of a rock groupie by a young Kate Hudson (she won a Golden Globe), the best part of the 2000 film Almost Famous – about the early exploits of Cameron Crowe as a rock journalist for Rolling Stone magazine – is the gonzo performance of Philip Seymour Hoffman as legendary rockcrit Lester Bangs, the editor of Creem magazine. As he and the Cameron Crowe stand-in William Miller (played by Patrick Fugit) are beginning to bond, Bangs starts raving during an interview with a hapless radio station DJ: “What is this hippie station?! Where’s Iggy Pop? Don’t you have a copy of Raw Power?!” He paws through some albums, calling out after awhile, “Found it!”, and then starts playing “Search and Destroy” as the DJ mumbles: “Lester, isn’t it a little early for this?”
In his September 2000 appreciation for the Chicago Sun-Times of this film and the rest of the Cameron Crowe oeuvre – Fast Times at Ridgemont High, Jerry Maguire, and Say Anything – Jim DeRogatis allows that his favorite “music-movie pairing” in Almost Famous is: “Philip Seymour Hoffman as Lester Bangs doing the chicken dance to ‘Search and Destroy’ by the Stooges.” While not taking away anything from the excellent music choices made during the film Almost Famous, the contrast could hardly be more stark between this thunderous song and the genteel sounds by the more popular 1970’s bands. This was true not just in the film but in the time period when Raw Power was released in 1973. Jim DeRogatis also wrote a biography in 2000 called Let it Blurt: The Life and Times of Lester Bangs, America’s Greatest Rock Critic.
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After the Stooges broke up in early 1974, and before his first post-Stooges tracks were finally released by Bomp! Records as Kill City under the name Iggy Pop and James Williamson, Iggy Pop continued the collaboration with David Bowie that he had begun on Raw Power with his first two solo albums, The Idiot and Lust for Life. Both are ranked 5 stars by Allmusic; the latter album includes what is probably Iggy Pop’s best known song, “Lust for Life” (it is sometimes mistaken for a Stooges song). He was working fast, with all three of these albums released in 1977; all told, Allmusic lists a remarkable 26 solo albums in the Iggy Pop name, not counting the Stooges albums or Kill City.
(March 2017)
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As Greg Shaw put it in the liner notes for the label’s retrospective double-CD Destination: Bomp! (1994): “To this day, Kill City is the single most important item in the Bomp catalog; but what made it extra nice is that James [Williamson] also threw in a big box of unlabeled tapes that turned out to be mostly demos and rehearsals from the Raw Power days onward – hours and hours of stuff that became the foundation for my long-term Iguana Chronicles project of documenting the unreleased side of this incredible band.”
Iggy Pop had moved on and had previously released two solo albums in 1977, The Idiot and Lust for Life; but Kill City was the music that Iggy had created right after the third Stooges album came out, Raw Power. As it happened, James Williamson stayed until the end; besides being in the 21st-Century tour with the Stooges, he was in the line-up when the band created its last album, Ready to Die (2013).
(September 2017)
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As I have written about previously, the first LP released by Bomp! Records was Kill City, representing music that Iggy Pop and James Williamson put together right after the Stooges broke up. As Greg Shaw tells the story in the liner notes for the double-CD compilation album, Destination: Bomp! in the entry for the Stooges song “I Got a Right”: “In 1976-77, Bomp was about the only established label in America that was actively pushing the new music. For a brief time, I could have had virtually any band that I wanted. It couldn’t last of course, but while it did, it was a real rush.
“But I never dreamed I could have the Stooges, until James Williamson showed up one day with a tale of woe: Iggy, fighting to kick drugs, had finished most of a great new album, but his rep was so bad no label would touch him. Even Sire [Records] had passed on Kill City. Was I interested?
“Even though I had to almost sell my soul to raise the needed cash, I wasn’t about to let this deal pass. To this day, Kill City is the single most important item in the Bomp catalog; but what made it extra nice is that James also threw in a big box of unlabeled tapes that turned out to be mostly demos and rehearsals from the Raw Power days onward – hours and hours of stuff that became the foundation for my long-term Iguana Chronicles project of documenting the unreleased side of this incredible band.”
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As I might have mentioned already, the album that became Raw Power started off as a collaboration between Iggy Pop and James Williamson also. Iggy Pop had been signed with MainMan Management, the company that handled David Bowie. They were recording in England, and after many auditions for a rhythm section, James Williamson suggested that the Asheton brothers be flown over from the U.S.; Scott Asheton sat in on drums, while the Stooges’ founding guitarist Ron Asheton reluctantly agreed to become the bass guitarist. Only at that point did it truly start to become a Stooges album.
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The Wikipedia article notes some of the critical reaction to Kill City: “Nick Kent of New Musical Express called it ‘a great album’. Mark Deming of Allmusic called the album ‘a minor triumph’, writing: ‘The music is more open and bluesy than on Raw Power, and while [James] Williamson’s guitar remains thick and powerful, here he’s willing to make room for pianos, acoustic guitars and saxophones; and the dynamics of the arrangements suggest a more mature approach after the claustrophobia of Raw Power.’ Martin Aston of BBC Music praised the album, calling it ‘Iggy’s most underrated album’ and one that ‘helped him get back to real life’. The Wire placed Kill City in their list of ‘100 Records that Set the World on Fire (While No One Was Listening)’.”
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Two of the trademark covers by SS-20 are given on the Dream Life album. Side 2 opens with “My Eyes Have Seen You” that had appeared on the second album by the Doors, Strange Days, which incorporates the usual Doors flourishes; and the album closes with a fine, extended interpretation (running nearly 10 minutes) of “Penetration” that had appeared on the third album by the Stooges, Raw Power. Both songs are basically performed in the same style as the rest of the album, but the individual character of each of the two songs comes in quite clearly. I must say that I would have a hard time coming up with the name of another band who performs convincing covers of such a wide variety of rock songs.
(December 2017)
