From my first exposure to his remarkable body of work back in the late 1970’s, Mick Farren became one of my very favorite rock musicians. He has released solo albums, and he has been in a number of amazing rock bands also: the Social Deviants, the Deviants, the Pink Fairies, and others. Early on, Farren wrote lyrics for another of my long-time favorite bands, Hawkwind. One of Farren’s long-time collaborators, Andy Colquhoun is a past UARA. Mick Farren was also a prolific writer on a host of subjects and published numerous science-fiction novels. The Allmusic entry on him by Chris True begins: “To say that Mick Farren was a ‘jack of all trades’ is putting it mildly.”
Allmusic states the musical and historical importance of Ptooff! well in their entry by Dave Thompson: “Talk today about Britain’s psychedelic psyxties, and it’s the light whimsy of Syd Barrett’s Pink Floyd, the gentle introspection of the Village Green Kinks, Sgt. Pepper, and ‘My White Bicycle’ [by Tomorrow] which hog the headlines. People have forgotten there was an underbelly as well, a seething mass of discontent and rancor which would eventually produce the likes of Hawkwind, the Pink Fairies, and the Edgar Broughton Band. . . .
“But the deranged psilocybic rewrite of ‘Gloria’ which opens the album, ‘I’m Coming Home’, still sets a frightening scene, a world in which Top 40 pop itself is horribly skewed, and the sound of the Deviants grinding out their misshapen R&B classics is the last sound you will hear. Move on to ‘Garbage’, and though the Deviants’ debt to both period [Frank] Zappa and [the] Fugs is unmistakable, still there’s a purity to the paranoia.
“Ptooff! was conceived at a time when there genuinely was a generation gap, and hippies were a legitimate target for any right-wing bully boy with a policeman’s hat and a truncheon. IT and Oz, the two underground magazines which did most to support the Deviants ([Mick] Farren wrote for both), were both publicly busted during the band’s lifespan, and that fear permeates this disc; fear, and vicious defiance.”
The three remaining members of the Deviants at that point – Russell Hunter, Duncan Sanderson and Paul Rudolph – became the core members of the Pink Fairies, though not immediately.
I certainly can’t compete with the description of Mona – The Carnivorous Circus provided by Dave Thompson for Allmusic, so I won’t even try: “Mick Farren convened a more-or-less all-star band from the same disreputable circles he’d always moved in. Carnivorous Circus was cut, the first essential album of the 1970s, and it’s still one of the most unrepentantly nasty, gratuitously ugly records ever made. Rock history loves to bandy those terms around, then apply them to this week’s most fashionable long-haired gnarly snarlies. And it’s true, the Pretty Things, MC5, the Pink Fairies, the Broughtons [Edgar Broughton Band], any of the myriad ’60s freakbeat bands captured on sundry Nuggets and Pebbles type collections, they’ve all dipped a toe into those malevolently murky waters. Some of them have even swum around a little. Carnivorous Circus goes the whole hog and then some, holding its breath and descending to the seabed. Now it owns a roadhouse and wrestles giant squid for fun.”
The murky beginnings of the Pink Fairies – a more guitar-driven psychedelic rock band that eschewed the political stances of the Deviants – are hard to untangle; stories vary, and I don’t have any of the books that have been written on and by the bandmembers. According to the liner notes on an early retrospective album by the band, Pink Fairies, the original Pink Fairies were Mick Farren (vocals), Steve Peregrin Took (guitar) and Twink (drums). Together with Twink’s girlfriend Sally “Silver Darling” Meltzer (keyboards), Wikipedia reports that they “hooked up in October 1969 for one shambolic gig at Manchester University, billed as the Pink Fairies”. The three men later worked together on Mona – The Carnivorous Circus.
Mick Farren left the fold shortly afterward, and Twink and Steve Peregrin Took formed a band called Shagrat with Larry Wallis (guitar) – who later appeared in several incarnations of the Pink Fairies – and Tim Taylor (bass). (See below).
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I picked up a 2001 CD by Shagrat called Pink Jackets Required, and it is a delight. This music was evidently made by the earliest lineup of the band. In the review of the album for Allmusic, Dean McFarlane gives it four stars and reports: “This album was recorded in 1969 just before Tyrannosaurus Rex embarked on their first U.S. tour and was completed on [Steve Peregrin] Took’s return. Although it is in effect a collection of demos, and some of the tracks will be known to fans of Think Pink – primitive takes of ‘The Coming of the Other One’ and ‘The Sparrow Is a Sign’ will be familiar – in fact, Pink Jackets Required is one of the most astonishing albums either of the pair recorded, and in popular opinion and rock-evidence surpasses the Twink Think Pink album. The name Shagrat was bounced around for an incarnation of one of Twink’s other groups with members of the Pink Fairies, but that unit was entirely different from the genius brilliance of the project with Steven Peregrin Took. Simply, this should be tracked down and given serious attention by those who love A Beard of Stars [by Tyrannosaurus Rex], Deviants, Pretty Things, and early T. Rex.”
However, the Wikipedia article on Shagrat states the following: “Shagrat was a British supergroup formed by Steve Peregrin Took and Mick Farren in February 1970 after they split with Twink, their partner in the prototype Pink Fairies supergroup of late 1969.” Thus, the tracks on Pink Jackets Required might not be by Shagrat, strictly speaking. According to the liner notes: “The Think Pink tracks [“The Coming of the Other One”, “The Sparrow Is a Sign” and “Three Little Piggies”] were recorded at Recorded Sound Studios, London 1969 with various members of ‘The Pink Fairies Motorcycle Club All Star Rock and Roll Band’. The ‘Demo Versions 1 & 2’ [all other songs] were recorded at Denmark St. Studios, 1969 & 1970”. Individual musicians credited are Steve Peregrin Took, Twink and Paul Rudolph.
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Whatever else might be said of the Pink Fairies, the name and the “pinkness” clearly come from Twink; besides suggesting the name, he had been a member of a hard-rocking R&B band called the Fairies that formed in 1964.
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Mick Farren, Steve Peregrin Took and Twink had actually teamed up a few months before their October 1969 gig as the Pink Fairies, during the July 1969 recording sessions for Twink’s first solo album, Think Pink, which was released in 1970. Farren produced the album, Took was on guitar and vocals, and Twink was on drums and vocals. Paul Rudolph, previously in the Deviants and later in the Pink Fairies, played guitar and bass and also provided vocals.
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The Pink Fairies proper began to take shape when Twink connected with the three remaining members of the Deviants after Mick Farren was sacked: Russell Hunter, Duncan Sanderson and Paul Rudolph. This line-up produced the debut album, Never Never Land (1971). The album features classic Fairies tracks like “Do It”, “War Girl”, and “Uncle Harry’s Last Freak-Out”, but not the early single that is probably their best known song, “The Snake” (yes, that is a penis reference).
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After Twink left the band, the remaining trio in the Pink Fairies recorded What a Bunch of Sweeties which includes another song on my All-Time Top Ten, “Marilyn”. This album was at the top of my Want List for decades before I finally mail-ordered a copy – just in time for Hurricane Katrina. The album also includes covers of two familiar 1960’s tracks: the Beatles’ “I Saw Her Standing There” and the instrumental “Walk, Don’t Run” (originally by the Ventures). As described by Wikipedia: “The sleeve came in a gatefold cover by Edward Barker, the front showing a box full of goodies mostly taken from roadie David “Boss” Goodman’s personal collection of underground badges etc.” The album is mostly a sonic assault that also includes the playful song “Pigs of Uranus” – but even that song ends with a fabulous electric guitar solo.
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Mick Wayne replaced Paul Rudolph on guitar in the Pink Fairies, and this line-up recorded a single, “Well, Well, Well” b/w “Hold On”. For the band’s next album Kings of Oblivion (1973) – by far the easiest Pink Fairies album to find, at least in this country – Larry Wallis was brought in as the guitarist, and they also pressed him into songwriting duties; the credits list Wallis as playing Big Guitar.
Mick Farren stayed around just long enough to help found this amazing band; one Allmusic review that I can’t find now included a passing reference to the Pink Fairies as being the perfect 1970’s British rock band. However, Farren was still closely associated with the band; he co-wrote one of the best songs on Kings of Oblivion with Larry Wallis, “When’s the Fun Begin”. Mick Farren also wrote the liner notes for the Pink Fairies’ comeback album, Kill ’Em and Eat ’Em (1987).
The following year, Mick Farren organized his idea of what a rock festival should be. Called Phun City, it took place from July 24 to July 26, 1970. Unlike Woodstock and most other similar festivals, there were no admission fees and no fences. After the funding for the concert was withdrawn, the organizers had to notify the bands scheduled to appear that they would have to perform for free. Most of the bands agreed to go on anyway; ironically, one of the few bands that didn’t play was Free, best known for their 1970 hit “All Right Now”. Rock musicians who did perform included MC5, the Pretty Things, Kevin Ayers, Shagrat, the Edgar Broughton Band, Mungo Jerry, Mighty Baby, and the Pink Fairies; the Beat poet William Burroughs was also there.
In 1972, Mick Farren published his first book, a comic-book style polemic that traces the development of the youth subculture from the 1950’s; the subtitle on the back cover is “How Elvis gave birth to the Angry Brigade”. The co-writer with him is Edward Barker, a cartoonist who designed the covers on the second and third albums by the Pink Fairies. The title is Watch Out Kids and is probably adapted from the lyric “Look out kids” in “Subterranean Homesick Blues” by Bob Dylan.
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After taking several years off from making music, Mick Farren resurfaced in 1978 with a brilliant solo album, Vampires Stole My Lunch Money. The album opens with what might be the best cover of a Frank Zappa song by anybody: “Trouble Coming Every Day”, a seething litany of what’s wrong with the world that could surely have come straight from Farren’s pen.
Vampires Stole My Lunch Money is a more personal record than his other albums. There are no less than three songs about drinking – “I Want a Drink”, “Half-Priced Drinks”, and “Drunk in the Morning” – plus a monologue about personal demons called “(I Know from) Self-Destruction”. Whether this is just a persona or the actual state of Mick Farren’s life at that point – I doubt anyone could tell the difference, the music is that heartfelt. Musicians on hand include Larry Wallis of the Pink Fairies and Wilko Johnson of Dr. Feelgood; supporting vocals are provided by Sonja Kristina of Curved Air and Chrissie Hynde, the lead singer of Pretenders (a year and a half before their first album, Pretenders came out).
Also in 1978, MC5 guitarist Wayne Kramer was released from prison after a drug conviction, and he was invited by Mick Farren to celebrate by performing at a gig at Dingwalls Dancehall that was run by former Pink Fairies roadie David “Boss” Goodman. To my knowledge, this is the first time (chronologically) that past UARA Andy Colquhoun (guitar) performed with Mick Farren. Others present include Larry Wallis (guitar) and George Butler (drums). This concert helped revive Wayne Kramer’s musical career; he has released several more albums over the years and has also appeared in concert with Mick Farren on other occasions.
The tape was thought to be lost for many years but later turned up in a box, marked “Dingwalls”; and several tracks from the show were released by Total Energy Records on a 2000 CD called Cocaine Blues 1974-1978 with an artist name of Wayne Kramer & the Pink Fairies. This is somewhat misleading, as the concert was actually circa March 1979, and only Larry Wallis had ever performed as part of the Pink Fairies at that point in time.
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As described on the funtopia.com website: “On his return to England in 2009, he [Mick Farren] reconvened his band the Deviants along with his long time friend and musical collaborator Andy Colquhoun and original 1960s era Deviants and later Pink Fairies, Russell Hunter and Duncan ‘Sandy’ Sanderson. They played a number of well received gigs since reforming, including The Spirit of ’71 stage at Glastonbury [Festival] in 2011, as well as the Sonic Rock Solstice Festival in Wales, June 2013. The Deviants also released a new single on Shagrat Records in July 2013 called ‘The Fury of the Mob’. Mick collapsed on stage whilst the Deviants were performing at the Atomic Sunshine Festival at the Borderline Club on Saturday 27th July 2013. He never regained consciousness.”
