The Edgar Broughton Band, founded in 1968 in Warwick, England, was an English psychedelic rock group. (More from Wikipedia)
Allmusic states the musical and historical importance of Ptooff! well in their entry by Dave Thompson: “Talk today about Britain’s psychedelic psyxties, and it’s the light whimsy of Syd Barrett’s Pink Floyd, the gentle introspection of the Village Green Kinks, Sgt. Pepper, and ‘My White Bicycle’ [by Tomorrow] which hog the headlines. People have forgotten there was an underbelly as well, a seething mass of discontent and rancor which would eventually produce the likes of Hawkwind, the Pink Fairies, and the Edgar Broughton Band. . . .
“But the deranged psilocybic rewrite of ‘Gloria’ which opens the album, ‘I’m Coming Home’, still sets a frightening scene, a world in which Top 40 pop itself is horribly skewed, and the sound of the Deviants grinding out their misshapen R&B classics is the last sound you will hear. Move on to ‘Garbage’, and though the Deviants’ debt to both period [Frank] Zappa and [the] Fugs is unmistakable, still there’s a purity to the paranoia.
“Ptooff! was conceived at a time when there genuinely was a generation gap, and hippies were a legitimate target for any right-wing bully boy with a policeman’s hat and a truncheon. IT and Oz, the two underground magazines which did most to support the Deviants ([Mick] Farren wrote for both), were both publicly busted during the band’s lifespan, and that fear permeates this disc; fear, and vicious defiance.”
I certainly can’t compete with the description of Mona – The Carnivorous Circus provided by Dave Thompson for Allmusic, so I won’t even try: “Mick Farren convened a more-or-less all-star band from the same disreputable circles he’d always moved in. Carnivorous Circus was cut, the first essential album of the 1970s, and it’s still one of the most unrepentantly nasty, gratuitously ugly records ever made. Rock history loves to bandy those terms around, then apply them to this week’s most fashionable long-haired gnarly snarlies. And it’s true, the Pretty Things, MC5, the Pink Fairies, the Broughtons [Edgar Broughton Band], any of the myriad ’60s freakbeat bands captured on sundry Nuggets and Pebbles type collections, they’ve all dipped a toe into those malevolently murky waters. Some of them have even swum around a little. Carnivorous Circus goes the whole hog and then some, holding its breath and descending to the seabed. Now it owns a roadhouse and wrestles giant squid for fun.”
The following year, Mick Farren organized his idea of what a rock festival should be. Called Phun City, it took place from July 24 to July 26, 1970. Unlike Woodstock and most other similar festivals, there were no admission fees and no fences. After the funding for the concert was withdrawn, the organizers had to notify the bands scheduled to appear that they would have to perform for free. Most of the bands agreed to go on anyway; ironically, one of the few bands that didn’t play was Free, best known for their 1970 hit “All Right Now”. Rock musicians who did perform included MC5, the Pretty Things, Kevin Ayers, Shagrat, the Edgar Broughton Band, Mungo Jerry, Mighty Baby, and the Pink Fairies; the Beat poet William Burroughs was also there.
