The New York Dolls are an American hard rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands in the early punk rock scene. The line-up at this time comprised vocalist David Johansen, guitarist Johnny Thunders, bassist Arthur Kane, guitarist and pianist Sylvain Sylvain, and drummer Jerry Nolan; the latter two had replaced Rick Rivets and Billy Murcia, respectively, in 1972. On stage, the New York Dolls donned an androgynous wardrobe, wearing high heels, eccentric hats, and satin. Nolan described the group at the time as “the Dead End Kids of today”. (More from Wikipedia)
Norris Easterbrook recalls that, after one gig, two New York kids enthusiastically approached him backstage while he was still in his make-up and girlfriend’s dress. He didn’t give the encounter much thought until several years later, when he saw the proto-punk band that had been formed by these two fans, New York Dolls in their first British television appearance. He immediately recognized the band’s guitarist from that meeting many years earlier: future punk stalwart Johnny Thunders who was all decked out in full drag-queen regalia.
(July 2013)
The Richmond Sluts were founded by Chris B (Chris Beltran, on bass guitar) and Shea Roberts (guitar and vocals) in 1998; they shared similar tastes in music, such as the Clash, the Rolling Stones, New York Dolls, and the Stooges. After adding Justin Lynn (keyboards), the Richmond Sluts developed a distinctive sound and began performing with the Brian Jonestown Massacre and Black Rebel Motorcycle Club.
Allmusic gives The Richmond Sluts 4 stars and says of the Richmond Sluts that “they explored the glam-slam-thank-you-ma’am side of punk”. Jo-Ann Greene comments about their inventiveness on the album in ways that are a little beyond my capacity to figure out: “Since categorization is a necessity in this age of overspecification, punk rock will do nicely, but doesn’t begin to encompass just how cleverly the group churns other genres through its blender. The Sluts connect the dots between ’60s garage punk and old school ’70s style, then toss just a dash of new school into the mix. Variations on this recipe reverberate across the album, and answer a slew of niggling questions along the way. Ever wonder what the [New York] Dolls would sound like covered by a psychedelic band? Kept up at night trying to imagine a cross between the Cramps and the Velvet Underground? Curious what the result would be if a time warp sent Richard Hell circa 1978 a decade into the past? And what if Eddie & the Hotrods were really the Ramones with English accents? The Richmond Sluts answer all these brain teasers and more you’ve yet to even imagine, and they do it without an ounce of pretentiousness or braggadocio.”
The reissue of the album by the Klubs was named Album of the Year by Record Collector magazine. Their penchant for dressing up in their girlfriends’ and sisters’ clothes during concerts inspired several members of the cross-dressing, proto-punk band New York Dolls, whose members included future punk legend Johnny Thunders and David Johansen, who later became known as Buster Poindexter. Their story well illustrates how a relatively prominent rock band from a legendary musical center like Liverpool, England could nevertheless drop almost completely out of sight.
(July 2015)
* * *