Natasha Shneider

Natasha Shneider  (born Natalia Mikhailovna Schneiderman; May 22, 1956 – July 2, 2008) was a Latvian musician and actress.  She was most notably the keyboardist and vocalist in the musical group Eleven, along with her partner, bandmate Alain Johannes.  Shneider contributed to tracks for Chris Cornell and Queens of the Stone Age, and together with Johannes toured with Cornell on his Euphoria Morning tour in 1999 and with Queens in 2005 on their Lullabies to Paralyze tour.  She died of cancer in 2008.  (More from Wikipedia)
See Also: 
●    Natasha Kapustin 
●    Natasha Schneider 
●    Natasha Detente 

Bandmembers in Black Russian were Serge Kapustin and Natasha Kapustin, a married couple, along with Natasha’s brother Vladimir Shneider.  The two Shneiders were the children of folk musicians and had been trained as classical pianists.  Although identified as Russian, they were actually born in Latvia, a separate country now.  In 1973 at an underground rock gathering at Moscow UniversityNatasha Shneider met Serge Kapustin, the son of a radio broadcaster, and he joined her in the Soviet orchestra where she was employed.  The three began making plans to emigrate to America as early as May of that year. 


Although there is nothing about Black Russian in Wikipedia, there is a Wikipedia article about Natasha Shneider that has some information about Black RussianWikipedia as well has a write-up about the hard rock band Eleven that included Natasha Shneider and her second husband Alain Johannes.  Allmusic lists Black Russian but has no information at all about the album or the artist.  


*       *       *


Within a few more years, Serge Kapustin and Natasha Kapustin divorced, with the latter regaining her maiden name Natasha Shneider.  Most of her post-Black Russian work was with her musical partner and second husband, Alain Johannes; he is also from far away, having been born in Santiago, Chile.  Natasha Shneider was in a well regarded band called Eleven along with Johannes and top drummer Jack Irons.   


*       *       *


While What Is This? was working on their album, Alain Johannes met Natasha Shneider, and they immediately clicked musically.  She joined What Is This? shortly thereafter.  They then formed a duo called Walk the Moon – not the same band as the Cincinnati-based band Walk the Moon that formed in 2006 – and had other musical sounds besides rock on their album, Walk the Moon (1987).  Jack Irons and Chris Hutchinson evidently played on several of the tracks, but on many, they used drum machines. 


In an interview posted on ultimate-guitar.comAlain Johannes discussed the album:  “We [Alain Johannes and Natasha Shneiderbecame Walk the Moon and started to explore more of the songwriting stuff and different textures that are not usually rock band-based like synths and all that other stuff and I started playing my odd instruments.  Well, some of them not odd but the pipa [Chinese lute] or sing like a Sufi-inspired Kowali singing and Natasha would do little choirs.” 


*       *       *


The two are better known for their work with Eleven, a hard rock trio that formed in 1990 when Jack Irons (drums) joined Alain Johannes (vocals, guitar, sitar, horns) and Natasha Shneider (vocals, keyboards, bass) of Walk the Moon; this band was also a partial reunion of What Is This?.  Eleven have opened for major bands like Pearl JamSoundgardenQueens of the Stone Ageand Candlebox.  


Wikipedia states:  “The band [Eleven] cites their major influences as Jimmy Page and Led ZeppelinQueenThe Beatles, Johann Sebastian Bach, and Sergei Prokofiev.  With Chris Cornell [of Soundgarden and Audioslave], they recorded [Natasha] Shneider’s arrangement of Franz Schubert’s ‘Ave Maria’, which appears on the album, A Very Special Christmas 3 [1997], in the liner notes of which they state they deliberately chose a classical work to help interest young people in classical music.” 


Their opening album, Awake in a Dream (1991) was praised by Alex Henderson in Allmusic:  “Eleven was a so-called alternative rock trio of the early 1990’s that drew heavily on the psychedelic rock and soul music of the late 1960’s and early 1970’s.  Awake in a Dream is much too guitar-oriented to have been played on a Black radio station in 1970 or 1973, and yet, enjoyable selections like ‘Before Your Eyes’, ‘All Together’ and ‘Rainbow’s End’ make it clear that singer/guitarist Alain Johannes, bassist/singer/organist Natasha Shneider and drummer Jack Irons have spent a lot of time listening to the likes of Sly and the Family StoneIke and Tina Turner and Stevie Wonder.  Shneider is also heard on the clavinet, a synthesizer that was prominent in 1970’s soul and funk but was seldom used in the urban contemporary music that followed in the 1980’s and 1990’s.”  


Of their second album ElevenAndy Hinds wrote for Allmusic:  “Anyone who lumped Eleven in with the grunge glut of the early 1990’s simply wasn’t paying attention.  Although it’s true that the trio’s excellent self-titled album (actually their second) was mixed with the guitars loud and fuzzy, the musical sophistication that distinguishes Eleven – including not only compositional prowess but sheer chops – leaves most alternative bands in the dust.  Led by the husband/wife duo of Alain Johannes (guitars and lead vocals) and Natasha Shneider (keyboards and lead vocals), their primary calling card is a pair of extraordinary voices, both of which are capable of raw intensity and soulful understatement.” 


Jack Irons left Eleven after their second album to play drums for Pearl Jam but later returned to the band.  Both Alain Johannes and Natasha Shneider were involved in Jack Irons’ solo album, Attention Dimension (2004); Shneider played electric bass and piano on “Hearing it Doubled” and keyboards on Jack Irons’ cover of the Pink Floyd song “Shine on, You Crazy Diamond”. 


(April 2015/1)


*       *       *




In addition to their work with ElevenAlain Johannes and Natasha Shneider became a sought-after production team.  They set up a recording studio at their home called 11ADEleven’s entire fifth album Howling Book (2005) was recorded, produced and mixed at this studio.   


Alain Johannes and Natasha Shneider worked with No Doubt on one of my favorite albums of the early 2000’sReturn of SaturnStephen Thomas Erlewine of Allmusic notes:  “No Doubt’s desire to expand the emotional template of new wave is the perfect match for [Gwen] Stefani’s themes – she may be writing about love, but she’s not writing adolescent love songs.  Fragments of her teenaged romantic fantasies remain, but she’s writing as a woman in her late 20’s.  She’s tired of being another ‘ex-girlfriend’ – she wants to fall in love, get married, and have a family.  It’s a subject that’s surprisingly uncommon in pop music, which would alone make Return of Saturn an interesting album.  What makes it a successful one is that the band delivers an aural equivalent of Stefani’s lyrical themes. . . .  Surprisingly, they pull it off – it’s a far stronger record than Tragic Kingdom, even if the catchiest numbers don’t have the same swagger and punch as their previous hit singles.  So be it.  With Return of SaturnNo Doubt have made a terrific, layered record that exceeds any expectations set by Tragic Kingdom.  Not only have they found their voice, they know what to do with it.” 


Alain Johannes and Natasha Shneider co-produced the No Doubt cover of the Donna Summer song “Love to Love You Baby” that was included on the Zoolander soundtrack album, Zoolander (Music From The Motion Picture) (2001). 


*       *       *



Even considering that he is talking about his wife, Alain Johannes can hardly praise Natasha Shneider highly enough for her musical genius.  In an interview that features technical talk which is a little beyond me (posted on, Alain Johannes was asked about Shneider’s essentially playing bass guitar on the keyboard with her left hand while playing regular keyboards with her right:  “[P]eople would be watching us and she’d have the keyboard and I’d usually do a MIDI map of the two-and-a-half octaves and later on it became an Ovation Bass Station or the Wurlitzer.  So that would feed into a bass amp and it was onstage and it was a huge sound with that Moog Bass in her left hand.  She was so independent, she could sit in the pocket with Jack [Irons] and have a different pocket with the right hand, which was basically a second rhythm guitar and lead lines with me and then sing lead or harmonies as if there were three completely different grooves.”  


Asked about specifically not wanting a bass guitarist, Alain Johannes continued:  “Yeah, basically because her musical thinking on the bass was just so far beyond.  Her mind was like [Paul] McCartney and if you listen to her bass lines, they have this contrapuntal and second melodic thing and the tension and release she creates against the chords are masterful.  We were really into the energy of the three because Jack and I had known each other since we were 14 or 15, and Natasha and I were soulmates and at the time I was hoping lifelong partners.” 


*       *       *




In the same time period, Alain Johannes and Natasha Shneider contributed to another of my favorite albums of the early 2000’sSongs for the Deaf by Queens of the Stone AgeJohannes co-wrote one of the songs on the album, “Hangin’ Tree” with Josh Homme.  Alain Johannes played guitar and bass on the band’s next album, Lullabies to Paralyze (2005); he and Natasha Shneider were also in the touring band that supported the album.  Alain Johannes apparently became an official bandmember in QOTSA for the Lullabies album; as best I can figure it, he basically replaced bass guitarist Nick Oliveri (who had also been in Kyuss with Josh Homme).   


Natasha Shneider played keyboards on the Queens of the Stone Age track “Never Say Never” that showed up on a single and EP called Feel Good Hit of the Summer (2000); and also piano on “Who’ll be the Next in Line” that was on their album Rated R (2000).  The latter song was also on a Kinks tribute album called This Is Where I Belong: The Songs of Ray Davies & The Kinks (2002).  


*       *       *




Additionally, Natasha Shneider played piano on the “Josh Homme and Alain Johannes Backwards Remix” of a song by Unkle called “Eye for an Eye” that appears on their album Never, Never, Land (2003). 

For another Josh Homme project, Eagles of Death MetalAlain Johannes plays piano and Natasha Shneider provides vocals (both uncredited) for the song “Who’ll Kiss the Devil” on their debut album, Peace, Love & Death Metal (2004). 


*       *       *




The formation of Queens of the Stone Age grew out of a series of pick-up concerts between 1997 and 2003 that were documented in a series of 10 albums called Desert Sessions.  Josh Homme organized the concerts at a ranch near Joshua Tree, California after the breakup of his band Kyuss, and the rotating line-up of musicians who were in Queens of the Stone Age mimicked the large number who were involved in the Desert Sessions.


Josh Homme is quoted in Wikipedia as having said of the Desert Sessions:  “At Desert Sessions, you play for the sake of music.  That’s why it’s good for musicians.  If someday that’s not enough anymore, or that’s not the reason behind you doing it — that’s not your raison d’être — then a quick reminder like Desert Sessions can do so much for you, it’s amazing.  It’s easy to forget that this all starts from playing in your garage and loving it.”  


Natasha Shneider provided vocals on “Up in Hell” on Desert Sessions, Volume 7: Gypsy Marches.  Natasha Shneider and Josh Homme co-wrote the song “Nenada” that appears on Desert Sessions, Volume 8: Can You See Under My Thumb? . . . There You Are.  According to the liner notes, Shneider provided “Foreign Vocals, Bass Keys, Rhoades, Stuff” for the recording of Nenada, where she is credited as “Natasha the Great”. 


*       *       *




Alain Johannes and Natasha Shneider worked with Chris Cornell on his first solo album, Euphoria Morning (1999); they were also along on the band that toured to support the album.  This is the only album that Cornell made after Soundgarden broke up, and before he joined members of Rage Against the Machine in forming Audioslave


From Wikipedia:  “The album proved commercially unsuccessful although the album’s single ‘Can’t Change Me’ was nominated for Best Male Rock Vocal Performance at the 2000 Grammy Awards.  He also contributed the song ‘Sunshower’ (a bonus track on the Japanese release of Euphoria Morning) to the soundtrack of the 1998 film, Great Expectations; and a reworked version of the track ‘Mission’, retitled ‘Mission 2000’, was used on the soundtrack to the 2000 film, Mission: Impossible II.” 


In 2006Alain Johannes and Natasha Shneider co-produced the debut album Wires on Fire by Wires on Fire, another hard rock band in the mold of Queens of the Stone Age and Eagles of Death MetalShneider provided backing vocals on the opening track “Death to Jeff Lynn”.  


*       *       *



Thanks to the good people who contribute to the discography website Discogs, I have information on dozens of credits for Natasha Shneider that show her becoming more and more in demand as a vocalist, instrumentalist and songwriter as time went on.  Natasha Shneider provided backing vocals on the song “People Like You” on the album V (2001) by the alternative rock band Live; and on “Methamphetamine Blues” by the Mark Lanegan Band on their album Here Comes That Weird Chill (2003), as well as “Sympathy” that appeared on the 2014 Mark Lanegan retrospective album Has God Seen My Shadow? An Anthology 1989-2011.  


Natasha Shneider shows up on even more records for her prowess on keyboards.  In addition to the many songs that have already been mentioned, she plays clavinet on the Soundgarden song “Fresh Tendrils” from their album Superunknown (1994); harpsichord on the song “Guilt by Association” by the garage rock band Louis XIV on their album Slick Dogs and Ponies (2008); synthesizer on the song “Each to Each” on the Gutter Twins album, Saturnalia (2008); and Moog Bass and Synthesizer on the track “WYUT” – which Alain Johannes and Natasha Shneider co-wrote with Natalie Imbruglia – on her album Come to Life (2009).  


*       *       *




Many of the songs that Natasha Shneider wrote or co-wrote have also been recorded by other bands and artists over the years; I have already given numerous examples.  For the soundtrack album Spider-Man 2 (Music From and Inspired By) (2004), Jimmy Gnecco along with Brian May of Queen recorded “Someone to Die For” that was co-written by Alain JohannesNatasha Shneider and Chris Cornell.  Alain Johannes and Natasha Shneider co-produced the song “Wave Goodbye” by Steadman for the soundtrack of the 2004 film New York Minute


Natasha Shneider wrote and performed the song “Who’s in Control” for the soundtrack of the Halle Berry film Catwoman (2004).  


*       *       *




Natasha Shneider also worked as an actress, most notably starring as the female cosmonaut Irina Yakunina in the sequel to 2001: A Space Odyssey called 2010 (1984).  In one touching scene, Shneider is shown in a clutch with star Roy Scheider during a particularly frightening part of the voyage to Jupiter.  She also appeared in episodes of the TV shows Miami Vice and Hill Street Blues, sometimes being credited as Natasha Detente.  


Somewhat ironically, a song that was co-written by Alain Johannes and Natasha Shneider called “Time for Miracles” was included in the soundtrack for the 2009 disaster film 2012, as sung by American Idol runner-up Adam Lambert.  Lambert also included this song on his album For Your Entertainment (2009). 


*       *       *




Natasha Shneider passed away on July 2, 2008 after being stricken with cancer.  The news was first broken on the MySpace site of the band SweetheadTroy van Leeuwen, who had been a second guitarist with Queens of the Stone Age, is a member of that band and had been a close friend of Shneider.  As shown on Wikipedia, the post read:  “Natasha Schneider [sic], musician extraordinaire, former actress, singer of the ground-breaking band Eleven, and one-time Queens of the Stone Age keyboard player, died today at 11:11 am of cancer.  She was a brilliant, beautiful, and ballsy woman who will be missed deeply by all those who knew her.  Send your loving thoughts her way in the universe.” 


As reported on Wikipedia:  “On August 16, 2008Queens of the Stone Age performed a concert in celebration of Natasha Shneider’s life at the Henry Fonda Theatre in Los Angeles.  They were joined on stage by Alain JohannesTenacious D’s Jack Black and Kyle GassMatt CameronBrody DalleJesse HughesChris Goss, and PJ Harvey, playing a variety of QOTSA and non-QOTSA songs.  Proceeds from the concert went to defray the costs associated with Natasha’s illness.” 


*       *       *




There have been several posthumous releases of music by Natasha Shneider; some have already been mentioned.  People in Planes included her song “Better than Life” on their album Beyond the Horizon that was released in September 2008.  The song “Flow Like a River” (co-written by Alain JohannesNatasha Shneider and Jack Irons) was included by the Gutter Twins on their album Adorata (also released in September 2008).  On the song “22 Below” (Piano Version) by Melissa Auf der MaurNatasha Shneider is listed as a featured performer (probably on piano); the song is included on her album Out of Our Minds (2010). 


(April 2015/2)


Last edited: April 7, 2021