The Kinks Are the Village Green Preservation Society

Highly Appreciated

THE KINKS ARE THE VILLAGE GREEN PRESERVATION SOCIETY
 
 
The Kinks Are the Village Green Preservation Society  is the sixth studio album by the English rock group the Kinks, released in November 1968.  It was the last album by the original quartet, as bassist Pete Quaife left the group in early 1969.  A collection of vignettes of English life, The Kinks Are the Village Green Preservation Society was assembled from songs written and recorded over the previous two years.  Although the record is widely considered one of the most influential and important works by the Kinks, it failed to chart upon release, selling about 100,000 copies.  In 2003 the album was ranked number 255 on Rolling Stone magazine’s list of the 500 greatest albums of all time.  (More from Wikipedia)
 
 

Allmusic states the musical and historical importance of Ptooff! well in their entry by Dave Thompson:  “Talk today about Britain’s psychedelic psyxties, and it’s the light whimsy of Syd Barrett’s Pink Floyd, the gentle introspection of the Village Green Kinks, Sgt. Pepperand ‘My White Bicycle [by Tomorrow] which hog the headlines.  People have forgotten there was an underbelly as well, a seething mass of discontent and rancor which would eventually produce the likes of Hawkwind, the Pink Fairies, and the Edgar Broughton Band. . . .

 

“But the deranged psilocybic rewrite of ‘Gloria’ which opens the album, ‘I’m Coming Home’, still sets a frightening scene, a world in which Top 40 pop itself is horribly skewed, and the sound of the Deviants grinding out their misshapen R&B classics is the last sound you will hear.  Move on to ‘Garbage’, and though the Deviants’ debt to both period [Frank] Zappa and [the] Fugs is unmistakable, still there’s a purity to the paranoia.

 

Ptooff! was conceived at a time when there genuinely was a generation gap, and hippies were a legitimate target for any right-wing bully boy with a policeman’s hat and a truncheon.  IT and Oz, the two underground magazines which did most to support the Deviants ([Mick] Farren wrote for both), were both publicly busted during the band’s lifespan, and that fear permeates this disc; fear, and vicious defiance.”

 

(March 2014/1)

 

Last edited: April 3, 2021