HEAD ON
For Open Up and Bleed!, which has a subtitle “The Great Lost Stooges Album?”, Bomp! Records collected available recordings of songs that were written and developed by the Stooges after the release of Raw Power in February 1973. The first six songs – “Rubber Legs”, “Open up and Bleed”, “Johanna”, “Cock in My Pocket”, “Head On”, and “Cry for Me” – were made during practice sessions at CBS Records in New York in 1973 and are taken from the only tape that has surfaced from these rehearsals. The liner notes for Open Up and Bleed! by Frank Meyer state that “Head On” is also known as “Head on the Curve”, but not “Head on the Curb”, as the song is called on the Metallic K.O. albums.
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Writing for Allmusic, Cub Koda says of Year of the Iguana: “This is an interesting collection that’s primarily culled from other Bomp CD collections and 10” vinyl LPs. If you’re into Iggy and the Stooges enough to have made it this far, this collection of alternate mixes (‘Death Trip’), raw rehearsal tapes (‘Rubber Legs’, ‘Head On’, ‘Till the End of the Night’, ‘Wild Love’, and an extended run-through of ‘Raw Power’), and ‘suppressed masters’ from the original Raw Power sessions (‘I Got a Right’, ‘Gimme Some Skin’, and ‘Scene of the Crime’) will almost seem like a greatest-hits package of sorts. And for the new fan who’s just discovered the chaotic magic that was the Stooges – and has heard the rumors that there’s material far more incendiary than their three studio albums – this compilation will serve just that purpose, sifting through the unending maze of unissued Stooges material to make a single-disc package that hits on the spots.”
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The liner notes for Wild Love, which sound like they were written by Greg Shaw, lay out the process that Bomp! Records went through to sift through the box of tapes that James Williamson gave them. The box included rehearsal tapes from Detroit, CBS Records in New York, and probably Los Angeles that evidently date from 1973, plus others made in 1972 that included demos for some songs that wound up on Kill City. However, there was no way to know for certain when much of the music was recorded, since the tapes were mostly unlabeled or incorrectly labeled. Among the bandmembers in the Stooges, only Ron Asheton was forthcoming with information about the tapes, and he was unclear on many of the details or wasn’t present at all.
After pulling the finished studio masters that provided the songs on the Kill City, I’m Sick of You and I Got a Right albums, and also the live concert performances that make up a third to a half of the Iguana Chronicles releases, the remaining tapes were almost all post-Raw Power rehearsal sessions. Greg Shaw mentioned that songs like “Johanna” and “Head On” were practiced seven or eight times in a row, often with stops and starts. Many of these songs were taken out on the road after Raw Power was released and often show up on the Iguana Chronicles concert albums. The best of these rehearsal performances were pulled out and assembled, along with selected live versions of other songs, for the hypothetical fourth album by the Stooges that was released as Open Up and Bleed!.
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One tape that was found in the James Williamson box is from the only known show by the Stooges in San Francisco (at Bimbo’s in January 1974). The liner notes by Frank Meyer say that there are only four songs on the tape, with “Open up and Bleed” being incomplete, so the other three songs – “Wet My Bed”, “I Got Nothing” and “Head On” – are included here, with the versions of the last two songs never being previously released. The California Bleeding album closes with three songs from the September 15th show at the Whisky, “She Creatures of the Hollywood Hills” and “Heavy Liquid” / “New Orleans” (the Gary U.S. Bonds classic) – the first concert performances of these songs ever.
The vinyl release of California Bleeding has the same music except that “I Got Nothing” and “Head On” are omitted.
(December 2017)
