EDUARDO RIVADAVIA
There is a long article on Trillion in Allmusic (by Eduardo Rivadavia) that starts off: “For every American progressive rock band that found increasing success on commercial radio during the second half of the ’70s – Journey, Styx, Kansas, etc. – there were additional dozens possessing the same sonic recipe for infectious bombast but which, for some reason or other, just never made the grade, including Trillion.” It is hard to know why some albums grab listeners and others do not, but clearly, no one has the formula figured out yet.
(October 2012)
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I told the story of seeing Queens of the Stone Age with my wife Peggy in my last post; but their third album in 2002, Songs for the Deaf is probably when I realized that something was really going on out there in the larger world: rock music with a modern sound but with garage-rock roots. The Queens had a rotating line-up of like-minded musicians and grew out an earlier band with similar sensibilities called Kyuss; while they didn’t sell a lot of albums, they were a pioneer of the stoner-rock scene of the 1990’s. As the Allmusic article (by Eduardo Rivadavia) describes the band: “[T]he signature sound [of] Kyuss [combined] the doom heaviness of Black Sabbath, the feedback fuzz of Blue Cheer, and the space rock of Hawkwind, infused with psychedelic flashes, massive grooves, and a surprising sensibility for punk rock, metal, and thrash.” The connective tissue between the two bands is multi-instrumentalist Josh Homme, who also founded the popular Eagles of Death Metal.
(January 2013)
