Dave Hassinger

The guitar on “Satisfaction” was run through a new toy that Keith Richards had purchased, a Gibson Maestro fuzzbox; the intention by Mick and Keith was to replace the guitar with horns.  But according to Wikipedia, they were outvoted by the other members of the Rolling Stones, as well as their manager Andrew Loog Oldham and sound engineer Dave Hassinger; and the song was released as it was.  As a result, Gibson sold completely out of fuzzboxes by the end of the year, and the fuzzbox sound became an integral part of the sound of the 1960’s. 

(May 2015)

*       *       *

The Electric Prunes had two glorious psychedelic rock songs, with the first being “I Had Too Much to Dream (Last Night)”; the title is a takeoff on having “too much to drink”.  Their producer Dave Hassinger considered their songwriting to be weak, so much of their material was written by others.  This song was written by two female songwriters, interestingly enough, Annette Tucker and Nancie Mantz.  Tucker and Mantz also co-wrote five other songs on their debut album, The Electric Prunes, also known as I Had Too Much to Dream (Last Night); one is based on a cigarette commercial, “Are You Lovin’ Me More (But Enjoying It Less)”.  Annette Tucker co-wrote their follow-up hit that had similarly unusual wording in the title, “Get Me to the World on Time” with yet another female songwriter, Jill Jones.  “I Had Too Much to Dream (Last Night)” made it to #11 on the Billboard Hot 100, while their second hit was at #27; both songs just missed the Top 40 in the UK. 

“I Had Too Much to Dream (Last Night)” too was blessed with some amazing effects; as described in Wikipedia:  “At the time, the Electric Prunes comprised singer James Lowe, lead guitarist Ken Williams, rhythm guitarist James ‘Weasel’ Spagnola, bassist Mark Tulin, and drummer Preston Ritter.  The oscillating, reversed guitar which opens the song originated from the rehearsals at [Leon] Russell’s house, where Williams recorded with a 1958 Gibson Les Paul guitar with a Bigsby vibrato unit.  According to Lowe, ‘We were recording on a four-track, and just flipping the tape over and re-recording when we got to the end.  Dave [Hassinger] cued up a tape and didn’t hit “record”, and the playback in the studio was way up:  ear-shattering vibrating jet guitar.  Ken had been shaking his Bigsby wiggle stick with some fuzztone and tremolo at the end of the tape.  Forward it was cool.  Backward it was amazing.  I ran into the control room and said, “What was that?”  They didn’t have the monitors on so they hadn’t heard it.  I made Dave cut it off and save it for later.’” 

(July 2015)