Robert Christgau (born April 18, 1942) is an American essayist, music journalist, and self-proclaimed “Dean of American Rock Critics”. One of the earliest professional rock critics, Christgau is known for his terse capsule reviews, published from 1969 to 2013 in his Consumer Guide columns. He also spent 37 years as music editor for The Village Voice, during which time he created the annual Pazz & Jop poll. (More from Wikipedia)
There was a noticeable dip in the ratings given by rock critics of Bob Dylan’s Christian recordings. That was not true so much for Slow Train Coming – Robert Christgau of the Village Voice gave the album a B+ and wrote: “The lyrics are indifferently crafted. Nevertheless, this is his best album since Blood on the Tracks. The singing is passionate and detailed.” Allmusic and Rolling Stone both rated the album ***.
For Saved, the Rolling Stone rating stood, but Allmusic gave the album only **, and Christgau scored it as C+. Entertainment Weekly showed a C–. Shot of Love had ** from both Rolling Stone and Allmusic; Christgau and Entertainment Weekly showed B–.
With Infidels though, all was forgiven: Rolling Stone and Allmusic were both at ****.
(August 2014)
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Kim Fowley’s own albums are an uneven lot to say the least, though this appears to be intentional to a considerable extent. His third album, Outrageous (1968) is the only one of his albums to (barely) crack the Billboard Top 200 Albums charts. Village Voice rockcrit Robert Christgau gave Outrageous his second-lowest rating (E) and said: “I don’t understand how he continues to earn a living, but he does.”
(January 2015/1)
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