Love Me Do

Highly Appreciated

LOVE ME DO
 
 
“Love Me Do”  is the Beatles’ first single, backed by B-Side “P.S. I Love You”.  When the single was originally released in the United Kingdom on 5 October 1962, it peaked at No. 17; in 1982 it was re-promoted (not re-issued, retaining the same catalogue number) and reached No. 4.  In the United States the single was a No. 1 hit in 1964.  In 2013, recordings of the song that were published in 1962 entered the public domain in Europe.  (More from Wikipedia)
 
 
Capitol Records was slow to lock up the Beatles recordings in this country.  This allowed small American labels to release many of the band’s early singles, notably “She Loves You” b/w “I’ll Get You” on Swan Records, but also including Please Please Me b/w “From Me to You” and “Do You Want to Know a Secret” b/w “Thank You Girl” on Vee Jay Records, plus “Love Me Do” b/w “P.S. I Love You” and “Twist and Shout” b/w “There’s a Place” on Vee-Jay’s subsidiary Tollie Records.  
 
(January 2013)
 
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One of my favorite Beatles songs, “Tomorrow Never Knows” is the first of their songs to use flanging; though by the time of its release in August 1966Wikipedia reports that almost every song on their album Revolver had been subjected to flanging

 

Anthology 2 includes the first take of Tomorrow Never Knows, and the liner notes give the history of this groundbreaking recording (although it is the final track on Revolver, it is actually the first song that the band worked on after taking off the first three months of 1966):  "Clearly refreshed, and full of yet more innovative ideas, they conveyed at EMI Studios on 6 April [1966] and began work on their seventh album, Revolverwith what turned out to be the closing and most progressive number, ‘Tomorrow Never Knows’.  Here was Beatles music the like of which had never before been heard . . . or made.  Here was a dramatic new direction for a musical form that was ceasing to be ‘pop’ and developing into ‘rock’.  Here was a thrilling orgy of sound, all the more inventive for being made within the confines of 1966 four-track technology, less reliant on melody but focusing more on the conveyance of mind-pictures on to tape.  Tomorrow Never Knows is all of this in a single piece of music, the released version (Take 3) being as stunning now as it was 30 years ago.  Recording under its working title, ‘Mark I’, Take 1, issued here for the first time, is notably different but, in its own way, just as compelling.  The Beatles’ music had indeed come a long way in the four years since ‘Love Me Do’.”  

 

(July 2015)

 

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We have been bombarded with important anniversaries this year.  In music, they all seem to go back to 1962:  The first albums by Bob Dylan (Bob Dylan) and by the Beach Boys (Surfin’ Safari) were released in the USthe Beatles first single, Love Me Do” b/w “P.S. I Love You was released in the UK (Sir Paul McCartney also turned 70 this year); the Rolling Stones had their first concert; and Andy Williams first began singing his signature song, “Moon River”.  All of this historical context might have gotten rock musicians in a writing mood:  Books by Keith RichardsPete TownshendRod Stewart, and Neil Young all came out this year. 
 
(Year 3 Review)
 
Last edited: March 22, 2021