Pebbles, Volume 4 is a compilation album in the Pebbles series that has been issued in both LP and CD formats. Unlike other volumes in the series – which compile obscure garage rock and psychedelic rock music – Volume 4 collects rare examples of surf rock. The LP is subtitled Summer Means Fun, while the CD is subtitled Surf N Tunes. Another Pebbles, Volume 4 was issued on CD a few years earlier by ESD Records and has completely different tracks. (More from Wikipedia)
The Pebbles, Volume 4 CD has only about half of the songs that are on the Pebbles, Volume 4 LP; even the title song “Summer Means Fun” by Bruce & Terry was omitted, so there is a different subtitle, “Surf ’n’ Tunes”. In addition to the head-scratcher “School is a Gas” by the Wheel Men, the CD also includes the original “School is a Drag” by the Super Stocks. Other highlights include “Move out Little Mustang” by the Rally Packs, a screaming cover of “Shortnin’ Bread” by the Readymen, “Wine, Wine, Wine” by the Bleach Boys (another hot inland surf band, this time from Sioux Falls, SD), and “The Big Surfer” by Brian Lord. Lord is a San Bernardino DJ who is backed here by Frank Zappa, Ray Collins, Paul Buff and Dave Aemi; the big surfer is evidently President John Kennedy, and the song sounds like it could have been an outtake from the hit comedy album The First Family.
“LSD-25” by the Gamblers is one of several surf instrumentals toward the end of the CD. This track dates from 1961; the allstar line-up includes Bruce Johnston, Larry Taylor (later in Canned Heat), Elliot Ingber (Fraternity of Man, Captain Beefheart, Little Feat, etc.), and famed drummer Sandy Nelson. According to the CD’s liner notes (by Nigel Strange): “Actually, surfers were the first subculture to embrace LSD, at a time when it was almost exclusively the plaything of the academics. With their footloose existence, and a sometimes mystical rapport with the ocean, the early surfers (we’re talking years before the craze, of course) were in many ways the true inheritors of the beatniks’ existential tradition, standing outside normal society and contemplating the void. In any event, this must surely be the first acid reference to appear on a record by several years.”
(December 2014)
