MAGIC LANTERN
Bandmembers in Haymarket Square are Gloria Lambert (vocals), Marc Swenson (guitar, vocal), Robert Homa (bass, vocal), and John Kowalski (percussion). The name of their sole album, Magic Lantern came out in 1968 and had been known in underground circles for several decades. After being bootlegged several times over the years, Gear Fab Records – a reissue label that combines two Beatles-era slang terms – finally put out an authorized release in 2001. My copy, however, is one of the bootlegs; it is dated 1996 and marked “Made in England”. The record label is given as LSD Records, and the catalogue number is LSD-007.
Writing for Allmusic, Dean McFarlane says of the album: “From the opening cut, it is fairly apparent why the original album is so sought after – Magic Lantern is as fine a display of American psychedelia as late-’60s albums by It’s a Beautiful Day and Jefferson Airplane. This will appeal to fans of the fuzzed-out guitar antics of Cream and Blue Cheer.” There is also a long article in the “Biography” section in Allmusic (this time by Stanton Swihart) about Haymarket Square. The band name is taken from a place in Chicago where a famous labor riot took place in 1886.
In the summer of 1968, Haymarket Square was approached by the Museum of Contemporary Art to provide the music for a work of art on display at that time called The Original Baron & Bailey Light Circus, which had been put together by two college professors. The Facebook and Google+ pages for the museum recently showed some drawings for the exhibit. For the most part though, the exhibit seems to be remembered mainly as the source of the Magic Lantern album.
Stanton Swihart writes of Haymarket Square for Allmusic: “As the music featured on it was initially utilized as live accompaniment and created expressly with that purpose in mind, the album plays much like the records of the [Jefferson] Airplane’s middle, most psychedelic period, as much visceral experiences to fill San Francisco ballrooms as they are objects for home listening, or like early Grateful Dead recordings, intended as soundtracks for Acid Tests and experimental light shows. But as with the work of those bands, Magic Lantern transcends its intended purpose; in fact, it is one of the stronger – not to mention one of the earliest – slices of acid rock from the era, outstanding in every way, from [John] Kowalski’s expert drumming, to [Gloria] Lambert’s impressive, insistent singing, to the intensely mood-filled, darkly textured original songs.”
Magic Lantern first came out on a small label called Chaparral Records. Shortly afterward, Robert Homa left the band and was replaced by Ken Pitlik; Robert Miller was brought in as a second guitarist. This line-up stayed together for several years, but they evidently did not make any more records. Gloria Lambert and Marc Swenson were married by the time Haymarket Square broke up in about 1974.
The only song on Magic Lantern not written by the bandmembers in Haymarket Square is one of my all-time favorite songs, “Train Kept A-Rollin’” – in a world filled with great train songs, this might the best of them all for my money. The first time I encountered “Train Kept A-Rollin’” was on the Pebbles, Volume 10 LP, one of the first Pebbles albums that I purchased. This rapid fire rendition by the Bold (also known as Steve Walker and the Bold) – which actually has some train sounds in the intro and at the end – is still the best I have heard; but like the Bo Diddley song “I’m a Man”, the Van Morrison song “Gloria”, and the timeless “Louie Louie” that was written by Richard Berry, I have never heard a version of “Train Kept A-Rollin’” that wasn’t great.
(June 2015)
