"Gloria" is a rock song classic written by Northern Irish singer-songwriter Van Morrison and originally recorded by Morrison's band Them in 1964 and released as the B-side of "Baby, Please Don't Go". The song became a garage rock staple and a part of many rock bands' repertoires. It is particularly memorable for its "G–L–O–R–I–A" chorus. It is easy to play, as a simple three-chord song, and thus is popular with those learning to play guitar. (More from Wikipedia)
Besides Mouse and the Traps (officially Mouse and Positively 13 O'Clock), the only other band to be featured on the original Nuggets album and also on Pebbles, Volume 1 is the Shadows of Knight. They are best known for their fantastic cover of "Gloria" that outsold the original "Gloria" by Van Morrison and Them in the United States. The Nuggets song is their cover of a terrific Bo Diddley song, "Oh Yea"; while the Pebbles entry is a novelty song by the band called "Potato Chip" that was issued only on a flexidisk as part of some snack food promotion.
(September 2013)
Allmusic states the musical and historical importance of Ptooff! well in their entry by Dave Thompson: "Talk today about Britain's psychedelic psyxties, and it's the light whimsy of Syd Barrett's Pink Floyd, the gentle introspection of the Village Green Kinks, Sgt. Pepper, and 'My White Bicycle' [by Tomorrow] which hog the headlines. People have forgotten there was an underbelly as well, a seething mass of discontent and rancor which would eventually produce the likes of Hawkwind, the Pink Fairies, and the Edgar Broughton Band. . . .
"But the deranged psilocybic rewrite of 'Gloria' which opens the album, 'I'm Coming Home', still sets a frightening scene, a world in which Top 40 pop itself is horribly skewed, and the sound of the Deviants grinding out their misshapen R&B classics is the last sound you will hear. Move on to 'Garbage', and though the Deviants' debt to both period [Frank] Zappa and [the] Fugs is unmistakable, still there's a purity to the paranoia.
"Ptooff! was conceived at a time when there genuinely was a generation gap, and hippies were a legitimate target for any right-wing bully boy with a policeman's hat and a truncheon. IT and Oz, the two underground magazines which did most to support the Deviants ([Mick] Farren wrote for both), were both publicly busted during the band's lifespan, and that fear permeates this disc; fear, and vicious defiance."
