Chess Records was an American record company based in Chicago, Illinois, whose catalog is now owned by parent company Universal Music Group, with the catalogue managed by Geffen Records. It specialized in blues, R&B, soul music, gospel music, early rock and roll, and occasional jazz and comedy recordings, released on several labels including Chess, Checker, Argo, and Cadet. Founding in 1950 and run by Polish immigrant brothers Leonard and Phil Chess, the company produced and released many important singles and albums, which are now regarded as central to the rock music canon. Musician and critic Cub Koda described Chess Records as “America’s greatest blues label”. (More from Wikipedia)
Chuck Berry met Muddy Waters on a trip to Chicago in May 1955, who suggested that he contact Leonard Chess of Chess Records. (The story of Chess Records and their musical roster is told in the 2008 film, Cadillac Records). To Berry’s surprise, Leonard Chess was most interested not in his blues material, but in his performance of a traditional country song called “Ida Red” (as recorded in 1938 by Bob Wills and His Texas Playboys). The song was rewritten by Chuck Berry and was released on May 21, 1955 as the million seller “Maybellene”.
(June 2013/1)
* * *
Regarding the title of the EP 5 x 4 by the Crawdaddys, I was thinking of the 1964 Rolling Stones album 12 x 5 myself, but the Stones had previously released a British-only EP called 5 x 5 in August 1964. One of the cuts on the Stones EP is a group-penned instrumental called “2120 South Michigan Avenue” – the street address of Chess Records in Chicago – and the Chicano garage rock band Thee Midniters used it as the basis for their popular track “Whittier Boulevard”.
(January 2015/2)
* * *
The first release by the Primitives was “Help Me” b/w “Let Them Tell”. Both sides of this monster single are included on the English Freakbeat, Volume 1 CD. Bruce Eder has this lavish description of the single in his Allmusic article:
“[The Primitives] could and should have been one of the top groups on the Pye label, based on their rough-and-ready debut ‘Help Me’, a cover of a Sonny Boy Williamson [II] number that was beautifully raw and authentic, and wonderfully intense across an astonishingly long three minutes and 39 seconds, [John E.] Soul’s harmonica and [Geoff] Eaton’s guitar keeping the verisimilitude right up there like a Chess Records session gone out of control, amid [Jay] Roberts’ ever more intense romantic lamentations. The group-authored B-side, ‘Let Them Tell’, was almost as much a showcase for the harmonica and rhythm section as for Roberts’ singing. Amazingly, that November 1964 release even made it out in America, as part of the very short-lived licensing agreement between Pye and Philadelphia-based Cameo-Parkway Records, which also issued the Kinks’ first U.S. single, before Pye headed for the greener pastures of Warner-Reprise.”
(May 2015)
