SIRE RECORDS
Sire Records is an American record label, owned by Warner Music Group and distributed by Warner Bros. Records. The label was founded in 1966 as Sire Productions by Seymour Stein and Richard Gottehrer, each investing ten thousand dollars into the new company. Its early releases, in 1968, were distributed by London Records. From the beginning, Sire introduced underground, progressive British bands to the American market. Early releases included the Climax Blues Band, Barclay James Harvest, Tomorrow, Matthews Southern Comfort, and proto-punks the Deviants. (More from Wikipedia)
The Unknowns was named one of the four best bands in Los Angeles in 1981, and they got a record deal with Bomp! Records (later picked up by Sire Records) when Bruce Joyner was only 18. Though the resulting 1981 EP, Dream Sequence didn’t really show the band at their best, the Unknowns’ live performances won them numerous fans among established musicians in the LA area.
(June 2011)
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With the backing of Nigel Samuel (the 21-year-old son of a millionaire), the band’s debut album, Ptooff! was one of the first truly independent album releases and one of the earliest albums to come straight from the Counter-Culture – it was first sold through the British underground press and later became one of the earliest records on the venerable label Sire Records (home of Madonna, among many others) back when their releases were distributed by London Records (original home of the Rolling Stones, among many others). The album has been reissued at least four times, most recently in 2013.
(March 2014/1)
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This is the EP by the Unknowns, Dream Sequence on Sire Records that originally came out on Bomp! Records:
(June 2014)
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Detroit and the surrounding suburbs also had several important punk rock bands and included one of the first hardcore punk scenes in the nation. One of these short-lived but talented punk bands was the Ramrods that was formed in 1977. Bandmembers were Mark Norton (vocals), Peter James (guitar), Dave Hanna (bass), and Robert Mulrooney (drums). According to Wikipedia, the last official Ramrods show was on January 28, 1978. Before the band broke up, Ramones manager Danny Fields and Seymour Stein of Sire Records had been interested in signing them.
(March 2016)
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The Wikipedia article on the album starts out this way: “Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968 is a groundbreaking compilation album of American psychedelic and garage rock singles released in the mid-to-late 1960s. It was assembled by Jac Holzman, founder of Elektra Records, and Lenny Kaye, later lead guitarist for the Patti Smith Group. The original double album was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term ‘punk rock’. It was reissued with a new cover design by Sire Records in 1976 and expanded into a four-CD box set by Rhino Records in 1998.”
(December 2016)
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As I have written about previously, the first LP released by Bomp! Records was Kill City, representing music that Iggy Pop and James Williamson put together right after the Stooges broke up. As Greg Shaw tells the story in the liner notes for the double-CD compilation album, Destination: Bomp! in the entry for the Stooges song “I Got a Right”: “In 1976-77, Bomp was about the only established label in America that was actively pushing the new music. For a brief time, I could have had virtually any band that I wanted. It couldn’t last of course, but while it did, it was a real rush.
“But I never dreamed I could have the Stooges, until James Williamson showed up one day with a tale of woe: Iggy, fighting to kick drugs, had finished most of a great new album, but his rep was so bad no label would touch him. Even Sire [Records] had passed on Kill City. Was I interested?
“Even though I had to almost sell my soul to raise the needed cash, I wasn’t about to let this deal pass. To this day, Kill City is the single most important item in the Bomp catalog; but what made it extra nice is that James also threw in a big box of unlabeled tapes that turned out to be mostly demos and rehearsals from the Raw Power days onward – hours and hours of stuff that became the foundation for my long-term Iguana Chronicles project of documenting the unreleased side of this incredible band.”
(December 2017)
