Peter Miesner

Under Appreciated

PETER MIESNER
 
 

Meanwhile, back in San Diego, drummer Dan McLain was in another band called the Penetrators that was being courted by major record labels; and Steve Potterf also played with the Upbeats, his side project with Paris Trent – this band was thinking of moving to Los Angeles.  Steve Potterf left first in late 1979, and Dan McLain left the Crawdaddys in 1980.  The 16-year-old guitarist Peter Miesner joined up on guitar, while the drummer was, briefly, Joel Kmak, who had previously been in the Hitmakers.  Keith Fisher was added later on keyboards. 

 

The bandmembers in the Crawdaddys listed on the Here ’Tis CD are Ron SilvaFred Sanders (actually Keith Fisher, with the name petulantly changed due to his threats to file suit to prevent the release of the CD), Peter Michael MiesnerJack LopezMike Dixson Stax, Gordon Moss, and Steve Horn.  Also mentioned are Carl Rusk as “production consultant”, Josef Marc as “sort of the producer” on some tracks, and Jeff Scott as “definitely like a father to us”. 

 

On May 29, 2011, at a Rhino Records pop-up store in San Diegothe Crawdaddys showed up unexpectedly with a reunion concert that included former members Ron SilvaPeter Miesner, and Keith Fisher.  After noting the surprise at the Crawdaddys being there at all, the L.A. Weekly report on the concert continued:  “Another surprise was how hot and vital the band sounded, even after being dormant for so many years.  You could certainly hear where latter-day ’60s revivalists like the Hives got their ideas, as singer-guitarist Ron Silva snarled his way through a set of Crawdaddys originals and vintage covers of primal rock classics like ‘Oh Baby Doll’, ‘Slow Down’ and ‘Let the Good Times Roll’.  The group were at their best on Rolling Stones-style blues rockers like ‘Bald Headed Woman’, but they also deftly pulled off poppier tunes like the Knickerbockers’ Beatles sound-alike ‘Lies’ and a yearning, affecting version of the Velvet Underground’s bittersweet ‘There She Goes [Again]’.”  

 

*       *       *

 

Members of the Crawdaddys went on to populate many other California bands; I have already mentioned several of them.  The future UARB (probably by year’s end) and another like-minded San Diego band called the Tell-Tale Hearts (named after a famous Edgar Allan Poe story, “The Tell-Tale Heart) has numerous connections with the band.  Former Crawdaddys bass guitarist Mike Stax was a founding member, as were Mystery Machine alumni Bill Calhoun and Ray Brandes (I praised and heavily borrowed from Brandes’s fine biography of the Crawdaddys in preparing this post).  Another past CrawdaddyPeter Miesner contributed guitar on two tracks on the Tell-Tale Hearts CD that I have, High Tide (Big Noses & Pizza Faces), with the name adapted from that of the first Rolling Stones retrospective album, Big Hits (High Tide and Green Grass) (1966)

 

(January 2015/2)

 

*       *       *

 

In April 1986Eric Bacher left the Tell-Tale Hearts and was replaced by another ex-CrawdaddyPeter Miesner.  After 3½ years, the band was having difficulty keeping it going:  “Musically, the band had stuck in a rut for some time.  The new songs that were being written did not sound like ‘Tell-Tale Hearts songs’, and we each had difficulty adjusting to and accommodating the changes that were taking place as our individual tastes expanded. . . .  And Mike [Stax] put it best to a San Diego Union reporter:  ‘We had painted ourselves into a corner musically.’” 
 
Still, the band reported about their final recording session in their original incarnation in December 1986, culminating in the single “Promise” b/w “Too Many Lovers” on an Australian label, Kavern 7 Records:  “Incredibly, considering the conflict within the group, ‘Promise’ turned out to be one of the [Tell-Tale] Hearts’ finest moments, highlighted by Peter [Miesner]’s amazing guitar leads and controlled feedback, and Bill [Calhoun]’s wailing harp.”  The band called it quits on Valentine’s Day 1987
 
(September 2017)
 
Last edited: March 22, 2021