Jim Morrison (December 8, 1943 – July 3, 1971) was an American singer, songwriter, and poet best remembered as the lead singer of the Doors. Because of his songwriting, wild personality, performances, and the dramatic circumstances surrounding his life and death, he is regarded by critics and fans as one of the most iconic and influential frontmen in rock music history. In the later part of the 20th century, he was one of the popular culture’s most rebellious and oft-displayed icons, representing the generation gap and youth counterculture. He was also well known for improvising spoken word poetry passages while the band played live. Morrison was ranked number 47 on Rolling Stone’s list of the “100 Greatest Singers of All Time”, and number 22 on Classic Rock magazine’s “50 Greatest Singers In Rock”. Ray Manzarek said Morrison “embodied hippie counterculture rebellion”. (More from Wikipedia)
Patti Smith is renowned for reworking well-known rock standards to fit her vision and also of adding shock value to her music that surely made Alice Cooper smile; and that was true of the band’s first single from 1974, “Hey Joe” b/w “Piss Factory”. Patti Smith included a monologue about Patty Hearst (who had been kidnapped by the Symbionese Liberation Army earlier that year) in the middle of her rendition of the 1960’s standard; while the latter song relates the salvation she received from the helplessness of her job on an assembly line after discovering a book by French poet Arthur Rimbaud (Jim Morrison of the Doors was similarly enthralled with Rimbaud).
(February 2014)
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Under the artist name Mick Farren and Jack Lancaster, 1995 brought yet another side of Mick with The Deathray Tapes, a live performance consisting mostly of spoken-word material – but this is no 1960’s flower-child poetry reading. Most of the performances go on for 6 or 8 minutes, while “Envy” is just a short verse:
I used to envy Elvis, but then he got fat and died.
I used to envy Marlon Brando, but then he got fat and his kid died.
I used to envy Jim Morrison, but then I got out of the tub.
Now I don’t envy anyone, because it causes bloating, and far too many funerals.
More generous praise can be found in the Wikipedia article. Reviewing a 1984 Certain General show at New York’s Pyramid club, the UK-based New Musical Express called the band “New York’s answer to [Echo and] the Bunnymen with a few [Jim] Morrison tendencies thrown in” [but with] “plenty of individuality and a lead singer full of passionate presence — agonized lyrics torn from twitching limbs”. The review concluded by observing that Certain General was “almost psychedelic in their unfettered spirit”. Bomp! Records – whose affiliated label Alive Records reissued November’s Heat in America in 1999 – has called them “NYC’s 80’s cult favorite”, while Rock & Folk identified Certain General as “the bridge between Television and Radiohead”.
(March 2015)
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(December 2017)
