I Want to Hold Your Hand

Highly Appreciated

I WANT TO HOLD YOUR HAND
 
 
“I Want to Hold Your Hand”  is a song by the English rock band the Beatles.  With advance orders exceeding one million copies in the United Kingdom, “I Want to Hold Your Hand” would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group’s first million seller “She Loves You”.  It was also the group’s first American number one, starting the British invasion of the American music industry.  “I Want to Hold Your Hand” became the Beatles’ best-selling single worldwide.  In 2013, Billboard Magazine named it the 44th biggest hit of “all-time” on the Billboard Hot 100 charts.  (More from Wikipedia)
 
 
But you won’t be thinking about any of that when you hear the Poppees; what will be going through your mind is “Beatles!”  And not just any Beatles:  “I Want to Hold Your Hand”-era Beatles
 
(December 2010)
 
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As for the Beatles, I took care of them by ordering the acclaimed Mobile Fidelity Sound Lab box set The Beatles / The Collection in 1982, with half-speed mastered copies of all of the British Beatles albums that were taken from the original master tapes.  Copies of the album covers were also made directly from the original album art and were printed in a booklet; the album covers instead were photos of the master tape boxes plus the song rosters and check-out listings that were pasted inside the boxes – pretty exciting!  They even left a couple of slots blank for future albums of songs that weren’t included in The Collection, though as far as I know, none were ever released.  It was a while before I realized that one of the songs that wasn’t on any of the albums was none other than I Want to Hold Your Handthe Fab Four’s first big American hit.  
 
(April 2012)
 
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During that remarkable week in April 1964 when all of the top 5 songs on the Billboard singles chart were Beatles songs – in order, they were “Can’t Buy Me Love”, “Twist and Shout”, “She Loves You”, “I Want to Hold Your Hand”, and “Please Please Me” – just 2 were Capitol releases (#1 and #4).  
 
(January 2013)
 
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The Beatles are well known for honing their craft in the clubs of Hamburg, Germany in the very early 1960’s, as well as in their hometown of Liverpool.  Still, there was some question back then as to whether they could be successful selling records in a non–English-speaking country, so the Fab Four were cajoled by their manager Brian Epstein and their producer George Martin into recording German-language versions of two of their biggest hits, “I Want to Hold Your Hand” and “She Loves You” in January 1964.  “Komm, Gib Mir Deine Hand” was later released on the band’s American album, Something New about six months later. 

 

(April 2013)

 

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This photograph of the Coronados with Jack Spector, a prominent New York City disc jockey on WMCA, was published in Billboard Magazine in 1965.  (Spector is notable for having been the first DJ in New York to play the Beatles’ initial Capitol Records single, “I Want to Hold Your Hand” in late December 1963).  Their music is described in the Daily Herald article mentioned previously in this way:  “The mode became eclectic – show tunes, popular numbers – with a professional gloss appropriate to the Borscht Belt and other resort circuits.” 

 

Meanwhile, the four teenaged children of the bandmembers in the Coronados – who sometimes appeared with their parents on stage – were being attracted to rock music and began singing and performing together as the Real Americans.

(August 2013)

 

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Popsicles and Icicles by the Murmaids reached #3 on both the Billboard and Cash Box record charts in January 1964.  Additionally, the song was ranked #1 on the Record World charts for the week of January 18, 1964; since the next Number One song on the Record World charts was “I Want to Hold Your Hand” by the Beatles, Popsicles and Icicles is often cited as the last Number One song of the pre-British Invasion era.  

 

(January 2015/1)

 

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Like many of the British Invasion bands, the Rolling Stones primarily played and recorded R&B classics and were slow to begin writing their own songs.  By contrast, the Beatles were recording mostly new material, and this seemed to be more popular at least with American audiences – the Fab Four scored one #1 single after another over here, beginning with I Want to Hold Your Hand in February 1964.   

 

(May 2015)

 

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One of their finest and best known songs is the proto-feminist anthem by Lesley Gore called You Don’t Own Me, a #2 hit in December 1963 that was kept from the top of the charts only by the BeatlesI Want to Hold Your Hand. The song was written by David White and John Madara; Quincy Jones was the record producer, and Jones later produced a 2015 remake of “You Don’t Own Me by Australian artist Grace featuring G-Eazy.
 
(August 2015)
Last edited: April 3, 2021