GARY ADAMS
Preceding “I’m a Ramrod” on both the LP and the CD of Motor City’s Burnin’ is a terrific track by Bootsey X and the Lovemasters called “Pusherman of Love”. Credits given on the Discogs website give Bootsey X as the lead vocalist and also the record producer; Robert Mulrooney is listed as the drummer and also the songwriter – as noted, Bootsey and Mulrooney are the same person. Other players are Mark Kern (bass), Craig Peters (guitar), Gary Adams (guitar), Don Jones (saxophone), and “militant rap” by Valorie Dawn Moore.
For “Pony Down”, perhaps the slowest song on the EP (but just barely), the Lovemasters has a different line-up of musicians that is more like those who played on “Pusherman of Love”: Bootsey X (lead vocals, backing vocals, drums), Mark Kern (bass), Craig Peters (guitar), Gary Adams (guitar), Don Jones (guitar), and Mike Murphy (backing vocals).
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Dark Carnival was sort of a Detroit punk supergroup that was assembled by Detroit music promoter Colonel Galaxy, whose name was a nod to Elvis Presley’s longtime manager, Colonel Tom Parker. Bootsey X was the first bandmember to be recruited; others included his bandmate in the Ramrods, Mark Norton, plus (as listed in Wikipedia): “Gary Adams from the Cubes [who was also a sometime bandmember in the Lovemasters], Mike McFeaters from What Jane Shared, Jerry Vile from the Boners, Sarana VerLin from Natasha, Greasy Carlisi from Motor City Bad Boys, Robert Gordon and Art Lyzak from the Mutants, Joe Hayden from Bugs Bedow, Pete Bankert from Weapons, [and] Larry Steel from the Cult Heroes.
“Later, Dark Carnival saw some turnover, with the ‘big’ names signing on: Niagara from Destroy All Monsters, Ron [Asheton] and Scott Asheton from the Stooges, Cheetah Chrome from the Dead Boys, Jim Carroll even came in from New York.”
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Credits for “(Santa’s Got a) Bomb for Whitey” by the Lovemasters / Dark Carnival are Bootsey X (lead vocals), Ron Asheton (lead guitar and backing vocals), Gary Adams (guitar), Joe Hayden (bass), and Ron Cumbo (drums). I have no idea what the song is about, but the infectious repetition of “got a bomb for whitey” that recurs throughout the song typically runs through my head for weeks every time I play this CD.
(March 2016)
