DETROIT METRO TIMES
The Detroit Metro Times is an alternative weekly located in Ferndale, Michigan. It is the largest circulating weekly newspaper in the metro Detroit area. (More from Wikipedia)
Writing for the Detroit Metro Times website, Ben Blackwell writes of the Gimme Some Action CD: “The Ramrods are the name of Detroit frontline punk warriors. . . . Ramrods lead howler Mark J. Norton barks like a bored kid with an armload of bulldogs while guitarist Peter James’s scarred-yet-smooth soloing informs us that [the Stooges album] Raw Power was safely tucked under his pillow. While the ’Rods studio output is brief, the highlight of the disc is easily their 1977 live medley: ‘Helter Skelter’ [by the Beatles] catapults into a punk-painted ‘My Generation’ [by the Who] and declares the obvious in ‘Search and Destroy’ [by the Stooges] and cements its place in rock lore by adding the archetypical ‘I’m a Ramrod’.”
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Writing in 2010 for the Detroit Metro Times, Bill Holdship writes that “the Ramrods [were] Detroit’s first ‘official punk’ band” and also gives a great overview of what the Lovemasters were all about: “Bootsey X & the Lovemasters were the best live rock ’n’ roll show in town then — sometimes approaching rock ’n’ roll carnivaldom. . . . [I]n the mid-to-late ’80s, a Bootsey X & the Lovemasters performance was akin to seeing Iggy Stooge fronting a James Brown and His Famous Flames Revue — that is, if both the Godfathers of Soul and Punk had even greater senses of humor . . . plus, everything else such a concept would involve (with flashes of George Clinton’s Funkadelic and Sly and the Family Stone, both of which were psychedelicized versions of the [James] Brown revue anyway). The act came complete with horns, keyboards, a jive-talking emcee (who doubled on sax), and the ever-present — and ever-hot — Sugarbabes of Soul. . . .
“And if that weren’t enough, the crew mixed it all with such perfect punk-ified covers as Neil Diamond’s ‘Brother Love’s Travelin’ Salvation Show’, Elvis’ ‘Kissin’ Cousins’ and ‘Suspicious Minds’, Roy Head’s ‘Treat Her Right’ (the instrumental that always announced Bootsey’s imminent arrival onstage), and perhaps the greatest cover of the O’Jays’ ‘Love Train’ of all time.”
(March 2016)
