Broadside magazine was a small mimeographed publication founded in 1962 by Agnes “Sis” Cunningham and her husband, Gordon Friesen. Hugely influential in the folk-revival, it was often controversial. Issues of what is folk music, what is folk rock, and who is folk were roundly discussed and debated. At the same time, Broadside nurtured and promoted important singers of the era. The mixture of hand-drawn musical notation, typewriter text, and the occasional hand-drawn illustration or photocopied news story anticipated a look that would be more common in zines 20 years later. By the end of the 1970s, Broadside had essentially ceased publication. Several of the songs recorded for Broadside over its lifetime were released in 2000 as The Best of Broadside as a 5-CD boxed set, which is the only way most of the recordings are available. (More from Wikipedia)
Generally speaking, politicians (and even “the Establishment”) are rarely in Bob Dylan’s sights. As an example, “Oxford Town” was written in direct response to an invitation from Broadside magazine for folk singers to write a song about the black student, James Meredith who enrolled at the University of Mississippi on October 1, 1962. That’s about as close to a pure protest song as anything Dylan ever wrote. However, I imagine that most people living outside the state of Mississippi have no idea that “Ole Miss” is located in the city of Oxford, and Dylan never mentions the student or the university. In a 1963 interview with Studs Terkel, Bob Dylan talked about “Oxford Town”: “It deals with the Meredith case, but then again it doesn’t. . . . I wrote that when it happened, and I could have written that yesterday. It’s still the same. ‘Why doesn’t somebody investigate soon’ – that’s a verse in the song.”
(May 2013)
