Bob Dylan Album

Highly Appreciated

BOB DYLAN

 
Bob Dylan  is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records.  Produced by Columbia’s legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, “Talkin’ New York” and “Song to Woody”.  (More from Wikipedia)
  

Two of his songs (Ron Franklin writes all of his own material) basically quote Bob Dylan.  One is the death-obsessed Do Not Wait Till I’m Laid ’Neath the Claythis song is reminiscent of early Dylan songs like “Fixin’ to Die” and “In My Time of Dyin’” on his first album, Bob Dylan, and the fantastic “Let Me Die in My Footsteps” that was intended for inclusion on his second, The Freewheelin’ Bob Dylan (the song was finally released officially on The Bootleg Series, Vols. 1-3 (Rare & Unreleased) 1961-1991).   
 
(January 2012)
 
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As to his Christian period, I have already mentioned the Biblical imagery in When the Ship Comes In”.  The opening verse of the title track, “Highway 61 Revisited” on Highway 61 Revisited is a hip retelling of God’s command that Abraham sacrifice his long-awaited son Isaac.  One of the songs on his very first album, Bob Dylan is a traditional folk song called “Gospel Plow”.  So none of this is brand new either as I see it. 

 
(May 2013)
 
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The first Bob Dylan album, Bob Dylan was released with great fanfare by Columbia Records in March 1962; it is a relatively conventional folk album that is not unlike those that Joan BaezJudy Collins, and Peter, Paul and Mary were recording at the time, with just two original songs.  The album was produced by John H. Hammond, the legendary talent scout who signed Bob Dylan to Columbia.  Though excellent in every way – for instance, the album includes “Man of Constant Sorrow”, the song (as performed by the Soggy Bottom Boys, with George Clooney on lead vocals) that was made famous in the 2000 Coen Brothers film O Brother Where Art Thou – Bob Dylan sold just 5,000 copies initially; and Columbia Records executives began grumbling about Dylan’s being “Hammond’s folly”. 

 

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It was clear that Bob Dylan’s second album would be very different from Bob Dylan, where only two original songs were presented.  Wikipedia notes:  “Many critics have noted the extraordinary development of Dylan’s songwriting immediately after completing his first album.  Dylan biographer Clinton Heylin connects the sudden increase in lyrics written along topical and political lines to the fact that Dylan had moved into an apartment on West 4th Street with his girlfriend Suze Rotolo in January 1962Rotolo’s family had strong left-wing political commitments; both of her parents were members of the American Communist PartyDylan acknowledged her influence when he told an interviewer:  ‘Suze was into this equality-freedom thing long before I was.  I checked out the songs with her.’”  That’s Suze Rotolo on Bob Dylan’s arm in the front cover shot of The Freewheelin’ Bob Dylan, walking down a snowy Greenwich Village street. 

 

(June 2013/2)

 

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For one thing, Bob Dylan often used Biblical imagery in his songs.  One obvious example is one of his loveliest songs, “Knockin’ on Heaven’s Door”, which is taken from the soundtrack of Pat Garrett & Billy the Kid (1973).  On his very first album, Bob Dylan (1962), the first song on Side 2 is Gospel Plow”. 

 

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Since 2012 marked the 50th anniversary of the release of Bob Dylan’s first album, Bob Dylana re-examination of his multi-faceted career was taking place.  

 

(August 2014)

 

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But solo songwriting is a lonely profession, and success is far from guaranteed.  Bob Dylan’s first album, Bob Dylan did not particularly showcase Dylan’s songwriting talent; there were only two original songs on the album. and the tunes to both had similarities with his mentor Woody Guthrie’s songs.  In fact, says Wikipedia:  “Mitch MillerColumbia [Records]’s chief of A&R at the time, said U.S. sales totaled about 2,500 copies.  Bob Dylan remains Dylan’s only release not to chart at all in the US, though it eventually reached #13 in the UK charts in 1965.  Despite the album’s poor performance, financially it was not disastrous because the album was very cheap to record.”  Bob Dylan was one of the first Dylan albums that I purchased, and I am astounded that this album never made the charts.  

 

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Since I only have Cry of the City thus far, I have Phil Gammage’s playlist on from his website, www.philgammage.com.  Just one great song after another; they are mostly original songs, but one is a cover of “Baby, Let Me Follow You Down”, a traditional folk song that Bob Dylan included on his first album that I discussed earlier, Bob Dylan; another standpoint is an instrumental guitar-driven track called “Royal Flush”.  (Two of Phil Gammage’s solo albums have been all instrumentals). 

 

(March 2015)

 

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As I wrote about Bob Dylan in my last post, his first album, Bob Dylan sold modestly; and Dylan became known as “Hammond’s Folly” around Columbia Records – John H. Hammond had decided to sign Dylan on the spot after hearing him perform on September 14, 1961 at the apartment of Carolyn Hester and Richard Fariña (two folksingers that I also wrote about last month), though he evidently made a formal audition first (no recorded evidence of that audition survives, unfortunately).  

 

(April 2015/1)

 

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Several of Bob Dylan’s early songs were in the “talking blues” form that was pioneered in the 1920’s and popularized by Dylan’s idol Woody Guthrie in the 1940’s.  Typically these songs have “Talking” or “Talkin’” somewhere in the title, such as “Talkin’ New York” on his debut album, Bob Dylan; many though were not released on his Columbia albums and often have bizarre titles, such as Talkin’ John Birch Paranoid Blues, Talking Bear Mountain Picnic Massacre Blues, and “Talkin’ Hava Negeilah Blues”.  These talking blues numbers are among Dylan’s funniest songs, albeit often with black humor.
 
(September 2016)
 
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A few of the songs on Great White Wonder I knew already; alternate takes of “Man of Constant Sorrow” and “See That My Grave Is Kept Clean” (which both appear on Bob Dylan’s first album, Bob Dylan) are included, and “Quinn the Eskimo (The Mighty Quinn)” I knew as a single, “Mighty Quinn by Manfred Mann, released in early 1968.  Another song on the album, “If You Gotta Go, Go Now” was also a single for Manfred Mann (“If You Gotta Go, Go Now”) and was a hit in England, though I am not sure I had heard it before.  But that’s it. 
 
(September 2017)
 
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We have been bombarded with important anniversaries this year.  In music, they all seem to go back to 1962:  The first albums by Bob Dylan (Bob Dylan) and by the Beach Boys (Surfin’ Safari) were released in the USthe Beatles first single, Love Me Do” b/w “P.S. I Love You was released in the UK (Sir Paul McCartney also turned 70 this year); the Rolling Stones had their first concert; and Andy Williams first began singing his signature song, “Moon River”.  All of this historical context might have gotten rock musicians in a writing mood:  Books by Keith RichardsPete TownshendRod Stewart, and Neil Young all came out this year. 
 
(Year 3 Review)
 
Last edited: March 22, 2021