UNDER-APPRECIATED ROCK BAND OF THE MONTH FOR AUGUST 2010: QUEEN ANNE’S LACE
The dichotomy between “Hard Rock” and “Soft Rock” has always been easy for me – and for the larger society: There is no “Soft Rock Café” that I have heard of, but one of our more prominent casinos here on the Coast includes a Hard Rock Café. Still, there are times when softness can be just the thing, and QUEEN ANNE’S LACE really goes down nicely. The band is apparently the duo of William B. Phillips and his (apparent) wife Anne Phillips, whence (again, apparently) came the name. Though the word “psychedelic” is thrown around rather loosely these days (not that there is anything wrong with that), this album could be described as “pop-psychedelic”.
The only album by
Queen Anne’s Lace, Queen Anne’s Lace was released in 1969 on Coral Records, a label already in severe decline and very much of the old school, where it was the song and not the singer that was important. Four of the five songs on Side 1 are covers, and familiar ones at that: “The Fool on the Hill” opens the album and is a fine if spare rendition of the Beatles song that was almost lost among the torrent of creativity that was the Magical Mystery Tour album of 1967 – besides the songs from the ill-fated Beatles TV movie of the same name, Magical Mystery Tour, some of the band’s best singles were also included: “Strawberry Fields Forever”, “Hello Goodbye”, “All You Need is Love”, and others. It probably would have had a shot at being a successful single, except that “The Fool on the Hill” had already been a Top 5 hit in 1968 for Sergio Mendes and Brasil ’66 (a self-defeating band name that had already been renamed once from Brasil ’65). Though Mendes was basically piggy-backing onto the success of Herb Alpert, the co-founder of his label A&M Records, the Latin-lite sounds were better than nothing for a pop-music mainstream that, for too many years, had been just a little too white-bread, at least in retrospect. The sole original song on the first side, “No Worry Tour” appears almost to have been named after the title of the Beatles album.
Anne Phillips has had a varied career as a performer and songwriter and in advertising; a venerable
Pepsi-Cola jingle, “
Taste that Beats the Others Cold” is among her work. (
Peter Cofield has a prominent jingle to his credit also: “
The Big Red Song”, used to advertise
Wrigley’s Big Red gum for almost 20 years). However, her website
www.annephillips.com/ only mentions
Queen Anne’s Lace in passing, with no details at all. Her husband
Bob Kindred though is prominently featured on the website; whether or not a bad marital breakup is behind the omission,
Queen Anne’s Lace was evidently her only foray away from her
jazz roots. Her first album,
Born to be Blue came out 10 years earlier (in
1959); and her second solo album,
Gonna Lay My Heart on the Line didn’t appear until
2001.
Anne Phillips’ eclectic work includes inner-city children’s
jazz choirs, an
Easter Mass that was first performed at
St. Patrick’s Cathedral in
New York City, a children’s musical called
The Great Grey Ghost of Old Spook Lane, and a
Christmas album,
Noel Noel.
Of interest to some I imagine (certainly me):
Anne Phillips’ great-great-grandfather
Rev. Aldert Smedes founded
St. Mary’s School for Girls (later
St. Mary’s College) in
Raleigh, North Carolina. His surname surfaced in the name of
Raleigh mayor
Smedes York, the son of prominent real estate developer
J. W. York (whose own name graces a local elementary school).
Ford S. Worthy, Jr. , the founder of the real estate company where I spent the first half of my career as a real estate appraiser,
Worthy and Company (later
Worthy & Wachtel), worked for
J. W. York for several years before starting his own firm.
My fondness for this album is echoed in an even better and much more obscure album that is among the greatest treasures that I have rescued from the mud of
Katrina:
Nachgedanken by
Schattenfreiheit. Like
Queen Anne’s Lace,
Schattenfreiheit is basically a male/female duo. Their album is self-published with amateurish drawings on the cover (including the band’s name written in the shape of a performing porpoise) and is a luscious
pop-psychedelic masterpiece that is probably my favorite rock album that is sung in a foreign language (as is apparent from the long words, that would be
German). According to
Google Translate, the band name means something like “shadowy freedom” (though maybe it is really “freedom from shadows”), while the album name is “after thoughts”; most of the
Internet translation devices don’t seem to know either word though.
Speaking of under-appreciated, the article on the
Beatles album
Magical Mystery Tour is short and fairly well hidden on the
Allmusic website, but there is a long dissertation on the curious song “
I Am the Walrus” from that album/film. There is a listing for
Queen Anne’s Lace on
Allmusic, but with hardly any info. On
Wikipedia, “
Queen Anne’s lace” is identified as a common name for any of several plants, including
wild carrot – and there is a band called
Wild Carrot that is described.
Anne Phillips also has a
Wikipedia listing, but this one is a professor. Finally, there is another band called
Queen Anne’s Lace of more recent vintage that performs at
Renaissance Fairs; but beware:
Their website,
www.qalace.com/ is booby-trapped.
* * *
The
Honor Roll of the
Under Appreciated Rock Bands and Artists follows, in date order, including a link to the original
Facebook posts and the theme of the article.
Dec 2009 – BEAST; Lot to Learn Mar 2010 – BANG; Record Collecting I Jul 2010 – THE EYES; Los Angeles Punk Rock Aug 2010 – QUEEN ANNE’S LACE; Psychedelic Pop
Mar 2011 – INDEX; Psychedelic Rock (1960’s) Nov 2013 – CHIMERA; Women in Rock II Jan 2014 – BOYSKOUT; (Lesbian) Women in Rock IV Apr 2014 – HOMER; Creating New Bands out of Old Ones Jul 2014 – MIKKI; Rock and Religion I (Early CCM Music) Sep 2014 – NICK FREUND; Rock and Religion III (The Beatles) Mar 2015 – PHIL GAMMAGE; Songwriting II (Woody Guthrie/Bob Dylan) Dec 2016 – THE IGUANAS; Iggy and the Stooges; Proto-Punk Rock Jun 2017 – THE LOONS; Punk Revival and Other New Bands Dec 2017 – SS-20; The Iguana Chronicles
